Les livres en français sont sur www.livres-cinema.info
MENU   

Queer Cinema, The Film Reader

(livre en anglais)

Sous la direction de Harry Benshoff et Sean Griffin

Type
Etudes
Sujet
Sociologie
Mots Clés
diversité sexuelle
Année d'édition
2004
Editeur
Routledge
Collection
In Focus: Routledge Film Readers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 256 pages
16 x 24 cm
ISBN-10
ISBN-13
0-415-31987-0
978-0-415-31987-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts.

Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss:

Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer Cinema
Forms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spaces
Camp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular culture
Reception - considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek.

The Reader concludes with an essay that queerly rethinks classical gaze theory and allows students and scholars of the subject to draw their own conclusions in their studies.

À propos des auteurs :
Harry M. Benshoff is an Assistant Professor in Radio, Television and Film at the University of North Texas. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997) and co-author (with Sean Griffin) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004)Dr. Sean Griffin is an Assistant Professor in the Division of Cinema-Television at Southern Methodist University. He is the author of Tinker Belles and Evil Queens: The Walt Disney Company from the Inside Out (NYU Press, 2000), and co-author (with Harry M. Benshoff) of America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, forthcoming, 2004).

Revue de Presse :
'Four Stars ... there is much to appreciate here' - Film Review

Voir le site internet de l'éditeur Routledge

> Des mêmes auteurs :

What Dreams Were Made Of:Movie Stars of the 1940s

What Dreams Were Made Of (2011)

Movie Stars of the 1940s

Dir. Sean Griffin

Sujet : Les Films > Par période

Hetero:Queering Representations of Straightness

Hetero (2009)

Queering Representations of Straightness

Dir. Sean Griffin

Sujet : Sociologie

> Sur un thème proche :

Corpses, Fools and Monsters:The History and Future of Transness in Cinema

Corpses, Fools and Monsters (2024)

The History and Future of Transness in Cinema

de Willow Maclay et Caden Gardner

Sujet : Sociologie

Hollywood Pride:A Celebration of LGBTQ+ Representation and Perseverance in Film

Hollywood Pride (2024)

A Celebration of LGBTQ+ Representation and Perseverance in Film

de Alonso Duralde

Sujet : Sociologie

The New Queer Gothic:Reading Queer Girls and Women in Contemporary Fiction and Film

The New Queer Gothic (2024)

Reading Queer Girls and Women in Contemporary Fiction and Film

de Robyn Ollett

Sujet : Sociologie

Flamboyant Fictions:The Failed Art of Passing

Flamboyant Fictions (2024)

The Failed Art of Passing

de Ian Fleishman

Sujet : Sociologie

12228 livres recensés   •   (c)2024-2025 cinemabooks.info   •