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Chinese Documentaries

From Dogma to Polyphony (livre en anglais)

de Yingchi Chu

Type
Etudes
Sujet
PaysChine
Mots Clés
Chine, documentaire
Année d'édition
2009
Editeur
Routledge
Collection
Media, Culture and Social Change in Asia
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 266 pages
18 x 24 cm
ISBN
978-0-415-54417-7
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Description de l'ouvrage :
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.

À propos de l'auteur :
Yingchi Chu is a Senior Lecturer in Media Studies at Murdoch University, Western Australia. She has published journals and book chapters on Chinese media, and is the author of Hong Kong Cinema: Coloniser, Motherland and Self (2003).

Voir le site internet de l'éditeur Routledge

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Hong Kong Cinema:Coloniser, Motherland and Self

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Coloniser, Motherland and Self

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