Les livres en français sont sur www.livres-cinema.info
MENU   

The Routledge Film Music Sourcebook

(livre en anglais)

Sous la direction de James Wierzbicki, Nathan Platte et Colin Roust

Type
Etudes
Sujet
TechniqueMusique
Mots Clés
musique
Année d'édition
2011
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 408 pages
16,5 x 24 cm
ISBN
978-0-415-88874-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
The Routledge Film Music Source Book is an annotated, thematically organized collection of approximately eighty source readings pertaining to film music dating from its beginnings to the present, from the US and other select countries around the globe. The documents represent a wide variety of music-related issues that were heatedly debated during cinema’s early decades and which by and large remain of concern today.

Each document is prefaced by a brief introduction that gives details on both the author and the particular issue at hand. Also, each group of documents is prefaced by a longer introduction that puts into historical context the collective information and opinions that follow. The organizational scheme is at the same time chronological and thematic in a pattern that alternates between aestehetic and practical considerations.

À propos des auteurs :
James Wierzbicki teaches Musicology at the University of Sydney. Nathan Platte teaches Musicology at the University of Iowa. Colin Roust teaches Music History at Roosevelt University's Chicago College of the Performing Arts.

Revue de Presse :
"A useful resource for the history of film music as well as the composers' perspectives on the subject and their own creative purposes in scoring films. Summing Up: Recommended."
--CHOICE, March 2012 (M. Goldsmith, Nicholls State University)

Voir le site internet de l'éditeur Routledge

> Des mêmes auteurs :

> Sur un thème proche :

Movies to Listen To:Great Scores and Their Composers

Movies to Listen To (2025)

Great Scores and Their Composers

de Megan E. Goldstein et Pamela A. Marx

Sujet : Technique > Musique

Music for Superheroes:Film and Television Scores Since 1940

Music for Superheroes (2025)

Film and Television Scores Since 1940

de Randall D. Larson

Sujet : Technique > Musique

Haunted Soundtracks:Audiovisual Cultures of Memory, Landscape, and Sound

Haunted Soundtracks (2025)

Audiovisual Cultures of Memory, Landscape, and Sound

Dir. Kevin J. Donnelly et Aimee Mollaghan

Sujet : Technique > Musique

Anonymous Sounds:Library Music and Screen Cultures in the 1960s and 1970s

Anonymous Sounds (2025)

Library Music and Screen Cultures in the 1960s and 1970s

Dir. Nessa Johnston

Sujet : Technique > Musique

The Music of Space:Scoring the Cosmos in Film and Television

The Music of Space (2024)

Scoring the Cosmos in Film and Television

de Chris Carberry

Sujet : Technique > Musique

Music Films:Documentaries, Concert Films and Other Cinematic Representations of Popular Music

Music Films (2024)

Documentaries, Concert Films and Other Cinematic Representations of Popular Music

de Neil Fox

Sujet : Technique > Musique

Freak Scenes:American Indie Cinema and Indie Music Cultures

Freak Scenes (2024)

American Indie Cinema and Indie Music Cultures

de Jamie Sexton

Sujet : Technique > Musique

The Needle and the Lens:Pop Goes to the Movies from Rock 'n' Roll to Synthwave

The Needle and the Lens (2023)

Pop Goes to the Movies from Rock 'n' Roll to Synthwave

de Nate Patrin

Sujet : Technique > Musique

12131 livres recensés   •   (c)2024-2025 cinemabooks.info   •