Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
The Music of Space (2024)
Scoring the Cosmos in Film and Television
Music in Star Trek (2022)
Sound, Utopia, and the Future
Dir. Jessica Getman, Brooke McCorkle Okazaki et Evan Ware
Sujet : Un Film > Star Trek (série TV)
Sounds of the Future (2010)
Essays on Music in Science Fiction Film
Dir. Mathew J. Bartkowiak
Sujet : Genre > Science Fiction
Haunted Soundtracks (2025)
Audiovisual Cultures of Memory, Landscape, and Sound
Dir. Kevin J. Donnelly et Aimee Mollaghan
Music for Superheroes (2025)
Film and Television Scores Since 1940
Music Films (2024)
Documentaries, Concert Films and Other Cinematic Representations of Popular Music
de Neil Fox
Music in Science Fiction Television
Tuned to the Future (livre en anglais)
Sous la direction de K.J. Donnelly et Philip Hayward
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Description de l'ouvrage :
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds.
This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.
À propos des auteurs :
K.J. Donnelly is reader and convenor of the Film Studies MA at the University of Southampton. He has written a number of books on screen music and has been a fan of Gerry Anderson’s productions since childhood. Philip Hayward is a researcher at Southern Cross University who has a substantial body of publications on science fiction cinema soundtracks, including the edited anthology Off The Planet (2004).
Voir le site internet de l'éditeur Routledge
> Des mêmes auteurs :
The Synergy of Music and Image in Audiovisual Culture (2023)
Half-Heard Sounds and Peripheral Visions
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