Les livres en français sont sur www.livres-cinema.info
Cinematic Interfaces
Film Theory After New Media (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
In this book, Seung-hoon Jeong introduces the cinematic interface as a contact surface that mediates between image and subject, proposing that this mediation be understood not simply as transparent and efficient but rather as asymmetrical, ambivalent, immanent, and multidirectional. Jeong enlists the new media term "interface" to bring to film theory a synthetic notion of interfaciality as underlying the multifaceted nature of both the image and subjectivity. Drawing on a range of films, Jeong examines cinematic interfaces seen on screen and the spectator’s experience of them, including: the direct appearance of a camera/filmstrip/screen, the character’s bodily contact with such a medium-interface, the object’s surface and the subject’s face as "quasi-interface," and the image itself. Each of these case studies serves as a platform for remapping and revamping major concepts in film studies such as suture, embodiment, illusion, signification, and indexicality. Looking to such theories as the ontology of the image and the phenomenology of the body, this original theorization of the cinematic interface not only offers a conceptual framework for rethinking and re-linking film and media studies, but also suggests a general theory of the interface.
À propos de l'auteur :
Seung-hoon Jeong is an Assistant Professor of Cinema Studies at New York University Abu Dhabi in the Film and New Media program.
Revue de Presse :
'This original, brilliant, and graceful book uses the concept of the "interface" both theoretically and philosophically to develop an extremely useful framework through which to coherently explore and compare our experience not only of cinema but also of other moving image platforms. Also providing an analytic history of contemporary film theory, it will be an exciting addition to the graduate classroom.'-- Vivian Sobchack, UCLA School of Theater, Film & Television 'Operating in the gap between phenomenological and apparatus theory, Jeong brings Deleuze's and Levinas' understandings of the face together with the cultural theory of interface to make a powerful new way to consider the cinema in a period of rapid and radical change.'—Sean Cubitt, Goldsmiths, University of London
'Cinematic Interfaces combines speculative theoretical inquiry with rigorous analysis of films. It presents a radical rethinking of both film and film theory in the age of new media. Of particular significance is its reassessment of the cinematic apparatus – especially of image and subjectivity – as a series of interfaces.'--Warren Buckland, Oxford Brookes University
Voir le site internet de l'éditeur Routledge
> Du même auteur :
> Sur un thème proche :
Contemporary Screen Ethics (2025)
Absences, Identities, Belonging, Looking Anew
Dir. Lucy Bolton, David Martin-Jones et Robert Sinnerbrink
Sujet : Théorie
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz et Andrea Ruthven
Sujet : Théorie
Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
de Jiri Anger
Sujet : Théorie
Cinecepts, Deleuze, and Godard-Miéville (2025)
Developing Philosophy through Audiovisual Media
Sujet : Théorie
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
de Tom Gunning
Sujet : Théorie
Retour
