Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Color in Motion (2024)
Chromatic Explorations of Cinema
de Alexandra James Salichs, Kirsten Moana Thompson, Barbara Flueckiger et Joshua Yumibe
Sujet : Technique > Esthétisme
Color Mania (2019)
The Material of Color in Photography and Film
Dir. Barbara Flückiger, Eva Hielscher et Nadine Wietlisbach
Sujet : Technique > Esthétisme
Color Grading 101 (2019)
Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Sujet : Technique > Esthétisme
Vision (2018)
Colour and Composition for Film
de Hans P. Bacher et Sanatan Suryavanshi
Sujet : Technique > Esthétisme
Color Correction Handbook (2013)
Professional Techniques for Video and Cinema
Sujet : Technique > Esthétisme
Feeling Colour
Chromatic Embodiment in Film Culture, 1950s-1960s (livre en anglais)
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Description de l'ouvrage :
The shift from monochrome to coloured motion picture famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies, emotion theory, biology, and digital humanities, Feeling Colour: Chromatic Embodiment in Film Culture (1950s-1960s) delves into the role colour played in the oft-fraught relationship between cinema and its audiences. This transnational analysis of an extensive range of midcentury cinematography examines the multilayered effects which extend beyond the silver screen, offering a high-level theoretical elaboration and in-depth historical exploration of both experimental and mainstream movies.
Lameris takes an interdisciplinary perspective, examining the different ways colour creates-or was believed to create-embodied reactions. From perception theory and 'putting the nerves in motion', to colour psychology and how to 'steer' the spectator, to cross-modal perception (or 'synaesthesia'), Lameris asks how how colours and feelings in film are entangled in the colour cultures, discourses and beliefs of a particular historical context.
With its influential cultural scholarly contribution and accessible writing style, this book will delight both students and specialists in film and media studies. In addition, those interested in the history and use of color in advertising, neuroscience, gender studies, and emotion will find the book engaging and useful.
À propos de l'auteur :
Bregt Lameris works as a senior lecturer in Media Studies at the Open Universiteit (Heerlen), where she develops courses on for example the digital transition and the experience of cultural heritage, stigma in media, clothes and identity, disability studies and culture. Her colour research was embedded at the University of Zurich, where she was a postdoctoral researcher within the ERC Advanced Grant project 'FilmColors'. Other research interests are stigma, media and mental health, media archaeology, film archiving, film historiography, affect, emotions and subjectivity in audiovisual representation, and disability studies. In 2017 she published her monograph Film Museum Practice and Film Historiography which is available in Open Access through Amsterdam University Press. She was a co-editor of the book The Colour Fantastic. Chromatic Worlds of Silent Cinema (2018), as well as of several special issues of various journals (Journal for Media History, Montage AV, Necsus and Locus.
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