Jeanne Dielman
23, quai du Commerce, 1080 Bruxelles (livre en anglais)
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Description de l'ouvrage :
Catherine Fowler’s study positions Jeanne Dielman as a ‘contrary’ classic, its contrariness arising from director Chantal
Akerman’s decision to frame an unliberated housewife through a kind of ‘slow looking’. By choosing to stay with Jeanne in the kitchen, the film both ‘differences’ the canon and diverges from Akerman’s liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.
Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman’s invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us that we give our time to a film; and in making us look both harder and for longer it asks us to feel time slipping away, for ourselves as much as for its protagonist.
Voir le site internet de l'éditeur BFI Publishing
Voir la fiche de Jeanne Dielman (1975) sur le site IMDB ...
> Du même auteur :
Epistolary Entanglements in Film, Media and the Visual Arts (2023)
Dir. Teri Higgins et Catherine Fowler
Sujet : Théorie
Representing the Rural (2006)
Space, Place, and Identity in Films about the Land
Dir. Catherine Fowler et Gillian Helfield
> Sur un thème proche :
Autobiographical Reenactment in French and Belgian Film (2024)
Repetition, Memory, Self
Sujet : Réalisateur > Chantal Akerman, Vincent Dieutre, Boris Lehman, Agnès Varda
Chantal Akerman (2021)
Afterlives
Dir. Emma Wilson et Marion Schmid
Sujet : Réalisateur > Chantal Akerman
Chantal Akerman Retrospective Handbook (2019)
de Joanna Hogg et Adam Roberts
Sujet : Réalisateur > Chantal Akerman
Gendered Frames, Embodied Cameras (2016)
Varda, Akerman, Cabrera, Calle, and Maïwenn
Sujet : L'analyse de films
Chantal Akerman (2010)
Dir. Diana Holmes, Marion Schmid et Robert Ingram
Sujet : Réalisateur > Chantal Akerman