Les livres en français sont sur www.livres-cinema.info
MENU   

Crossover Cinema

Cross-Cultural Film from Production to Reception (livre en anglais)

Sous la direction de Sukhmani Khorana

Type
Etudes
Sujet
Sociologie
Mots Clés
distribution, cultures nationales, mondialisation
Année d'édition
2016
1ere édition
2013
Editeur
Routledge
Collection
Routledge Advances in Film Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 172 pages
16 x 24 cm
ISBN
978-1-138-24325-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world.

This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.

À propos de l'auteur :
Sukhmani Khorana is Lecturer at the University of Wollongong, Australia.

Revue de Presse :
"A welcome addition to the literature on ‘world cinema,’ Crossover Cinema offers a new perspective on the cross-cultural cinemas of the new century." Rosalind Galt, University of Sussex, UK

Voir le site internet de l'éditeur Routledge

> Sur un thème proche :

Networks of Entertainment:Early Film Distribution 1895-1915

Networks of Entertainment (2008)

Early Film Distribution 1895-1915

Dir. Frank Kessler

Sujet : Cinéma muet

World Cinema On Demand:Global Film Cultures in the Era of Online Distribution

World Cinema On Demand (2023)

Global Film Cultures in the Era of Online Distribution

Dir. Stefano Baschiera

Sujet : Economie

Cinema Babel:Translating Global Cinema

Cinema Babel (2007)

Translating Global Cinema

de Abe Mark Nornes

Sujet : Théorie

Symbolic Narratives/African Cinema:Audiences, Theory and the Moving Image

Symbolic Narratives/African Cinema (2001)

Audiences, Theory and the Moving Image

Dir. June Givanni

Sujet : Pays > Afrique

Playing the Percentages:How Film Distribution Made the Hollywood Studio System

Playing the Percentages (2024)

How Film Distribution Made the Hollywood Studio System

de Derek Long

Sujet : Economie

John Hamrick's Blue Mouse Cinemas:Independent Exhibition and Influence in the Studio Era

John Hamrick's Blue Mouse Cinemas (2024)

Independent Exhibition and Influence in the Studio Era

de Michael Aronson

Sujet : Economie

Netflix Recommends:Algorithms, Film Choice, and the History of Taste

Netflix Recommends (2021)

Algorithms, Film Choice, and the History of Taste

de Mattias Frey

Sujet : Economie

11811 livres recensés   •   (c)2024-2025 cinemabooks.info   •