White Screens/Black Images
Hollywood From the Dark Side (livre en anglais)
de James Snead
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Description de l'ouvrage :
Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.
À propos de l'auteur :
James Snead, Colin MacCabe, Cornel West
Revue de Presse :
"...exciting contributions to the study of film in general and to issues of race and culture in particular." -- Yale Film News
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
A Piece of the Action (2019)
Race and Labor in Post–Civil Rights Hollywood
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Black Male Frames (2018)
African Americans in a Century of Hollywood Cinema, 1903-2003
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Colorization (2024)
One Hundred Years of Black Films in a White World
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Borderland Brutalities (2024)
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Intersecting Aesthetics (2023)
Literary Adaptations and Cinematic Representations of Blackness
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