Les livres en français sont sur www.livres-cinema.info
MENU   

The Antihero in American Television

(livre en anglais)

de Margrethe Bruun Vaage

Type
Etudes
Sujet
Les FilmsPersonnages
Mots Clés
personnages, série TV
Année d'édition
2017
1ere édition
2015
Editeur
Routledge
Collection
Routledge Advances in Television Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 238 pages
16 x 24 cm
ISBN
978-1-138-57567-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
The antihero prevails in recent American drama television series. Characters such as mobster kingpin Tony Soprano (The Sopranos), meth cook and gangster-in-the-making Walter White (Breaking Bad) and serial killer Dexter Morgan (Dexter) are not morally good, so how do these television series make us engage in these morally bad main characters? And what does this tell us about our moral psychological make-up, and more specifically, about the moral psychology of fiction?

Vaage argues that the fictional status of these series deactivates rational, deliberate moral evaluation, making the spectator rely on moral emotions and intuitions that are relatively easy to manipulate with narrative strategies. Nevertheless, she also argues that these series regularly encourage reactivation of deliberate, moral evaluation. In so doing, these fictional series can teach us something about ourselves as moral beings—what our moral intuitions and emotions are, and how these might differ from deliberate, moral evaluation.

À propos de l'auteur :
Margrethe Bruun Vaage is Lecturer in the Film Department at the University of Kent, UK

Revue de Presse :
"Combining an informative survey of salient research in psychology and philosophical aesthetics with careful conceptual analysis and close examinations of well-known television series, Margrethe Bruun Vaage’s book offers a fresh perspective on the nature of contemporary American television drama and the ways it engages viewers. Exemplifying the virtues of the best interdisciplinary scholarship in the humanities, this book opens up new avenues of research for television studies scholars, cognitivist theorists, and philosophers of film, and will also appeal to any students or scholars with an interest in the question of what makes characters like Tony Soprano and Walter White so compelling." - Ted Nannicelli, University of Queensland, Australia

"In exploring the popularity of the antihero in contemporary US television, Vaage (film, Univ. of Kent, UK) sets out to look specifically at "… the attraction antihero series offer the spectator emotionally and cognitively." Her focus falls primarily on the characters Tony Soprano (The Sopranos) and Walter White (Breaking Bad), although Dexter Morgan (Dexter), Frank and Claire Underwood (House of Cards), Patty Hewes (Damages), and Lester Nygaard and Lorne Malvo (Fargo, season 1) are among other characters Vaage discusses. As befits a work that had its origin as a postdoctoral research project, this is a scholarly treatise, not a popular history of "antihero television." As such, it offers interesting analysis and useful insights into this television genre."

Summing Up: Recommended.

- D. Highsmith, California State University--East Bay, CHOICE Reviews

"The Antihero in American Television makes an excellent introduction to the contemporary antihero series, to cognitive film theory, and to more philosophical questions of moral emotions. [...] This will be a seminal study in moral emotions and television drama." --Rikke Schubart, MedieKultur | Journal of Media and Communication Research

"Vaage crosses many disciplinary boundaries to create an account of the moral psychology of fiction and consequently draws attention to the important gap in viewers’ responses to reality and fiction, which is a compelling and stimulating area of research. [...] Her utilization of work from many disciplines creates a text of great interest to film, television, and media and communication scholars, philosophers of aesthetics, audience researchers, and any student fascinated by the complicated, morally suspect worlds of television’s many antiheroes." --Hanna Kubicka, Projections, 12.1 2018

 

Voir le site internet de l'éditeur Routledge

> Du même auteur :

> Sur un thème proche :

Chick TV:Antiheroines and Time Unbound

Chick TV (2022)

Antiheroines and Time Unbound

de Yael Levy

Sujet : Genre > Série TV

Starz Spartacus:Reimagining an Icon on Screen

Starz Spartacus (2016)

Reimagining an Icon on Screen

Dir. Antony Augoustakis et Monica S. Cyrino

Sujet : Un Film > Spartacus (série TV)

Difficult Men:Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Ma d Men and Breaking Bad

Difficult Men (2013)

Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Ma d Men and Breaking Bad

de Brett Martin

Sujet : Genre > Série TV

Abraham Lincoln on Screen:Live-Action Portrayals on Film and Television

Abraham Lincoln on Screen (2024)

Live-Action Portrayals on Film and Television

de Mark S. Reinhart

Sujet : Les Films > Personnages

The G.I. Joe Roster:Characters of the Toy and Media Universe

The G.I. Joe Roster (2024)

Characters of the Toy and Media Universe

de Theresa Bane

Sujet : Les Films > Personnages

Eleanor Roosevelt on Screen:The First Lady's Appearances in Film and Television, 1932–1962

Eleanor Roosevelt on Screen (2023)

The First Lady's Appearances in Film and Television, 1932–1962

de Angela S. Beauchamp

Sujet : Les Films > Personnages

11776 livres recensés   •   (c)2024-2025 cinemabooks.info   •