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Thinking Past ‘Post-9/11':Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films

Thinking Past ‘Post-9/11' (2023)

Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films

de Jayana Jain

Sujet : Pays > Asie du sud

Crossover Stars in the Hindi Film Industry:Globalizing Pakistani Identity

Crossover Stars in the Hindi Film Industry (2020)

Globalizing Pakistani Identity

de Dina Khdair

Sujet : Pays > Asie du sud

Filming the Line of Control:The Indo–Pak Relationship through the Cinematic Lens

Filming the Line of Control (2019)

The Indo–Pak Relationship through the Cinematic Lens

Dir. Meenakshi Bharat et Nirmal Kumar

Sujet : Pays > Asie du sud

Cinema and Society:Film and Social Change in Pakistan

Cinema and Society (2016)

Film and Social Change in Pakistan

Dir. Ali Khan et Ali Nobil Ahmed

Sujet : Pays > Asie du sud

Hindi Cinema and Pakistan:Screening the Idea and the Reality

Hindi Cinema and Pakistan (2024)

Screening the Idea and the Reality

de Meenakshi Bharat

Sujet : Pays > Inde

Activist Documentary Film in Pakistan

The Emergence of a Cinema of Accountability (livre en anglais)

de Rahat Imran

Type
Etudes
Sujet
PaysAsie du sud
Mots Clés
Pakistan, documentaire
Année d'édition
2018
Editeur
Routledge
Collection
Routledge Contemporary South Asia Series
1ere édition
2016
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 264 pages
16 x 24 cm
ISBN
978-1-138-47771-1
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Description de l'ouvrage :
This book, the first academic book on Pakistani documentary cinema, traces the development of activist filmmaking practices in Pakistan which have emerged as a response to the consequences of religious fundamentalism, extremism, and violation of human rights. Beginning with the period of General Zia-ul-Haq’s Islamization process (1977-88), it discusses a selection of representative documentary films that have critically addressed and documented the various key transformations, events, and developments that have shaped Pakistan’s socio-political, socio-economic, and cultural history. Such activist filmmaking practice in Pakistan is today an influential factor in addressing the politics, and negative and oppressive effects of the Islamization era, discriminatory laws, particularly gender-discriminatory Sharia laws, violation of human and citizen rights, authoritarianism, internal strife, the spread of religious fundamentalism, and the threat of Talibanization, and oppressive tribal customs and traditions. The contribution of Pakistani documentary filmmakers stands as a significant body of work that has served the cause of human rights, promoting awareness and social change in Pakistan, particularly regarding gender rights.

À propos de l'auteur :
Rahat Imran holds a PhD in Cinema Studies from the Simon Fraser University, British Columbia, Canada. She has held a Post-doctoral Research Fellowship in the Department of Film Studies, Media Studies, and Media Education at the University of Bremen, Germany. Currently, Dr. Imran is affiliated with the Institute of Social and Cultural Studies, University of the Punjab, Lahore, Pakistan. She is completing her second book on Comparative Cinemas.

Voir le site internet de l'éditeur Routledge

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