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Subjective Realist Cinema

From Expressionism to Inception (livre en anglais)

de Matthew Campora

Type
Essais
Sujet
L'analyse de films
Mots Clés
réalisme, subjectivité, analyse narratologique
Année d'édition
2014
Editeur
Berghahn Books
Collection
Berghahn on Film
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 160 pages
15 x 23 cm
ISBN
978-1-78238-278-2
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Description de l'ouvrage :
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

À propos de l'auteur :
Matthew Campora is a Lecturer at the Australian Film Television and Radio School and an Honorary Research Fellow at the Centre for Critical and Cultural Studies. He holds an MPhil in literary studies and a PhD in film studies from the University of Queensland.

Revue de Presse :
"In his timely and erudite book, Matthew Campora…makes use of a variety of analytical tools and methods, from narrative theory to historiography to reception studies. The result is a thorough volume that successfully combines theory and interpretation...Campora’s goals are numerous, and he moves through his information clearly and carefully…and makes the reader want to return to the films themselves, to watch them each anew with [his] insights in mind. Campora’s book illuminates many fascinating features of these films and this genre, and his book will be of interest to a wide variety of readers." · Film Criticism

"…identifies and defines a distinct group of films within contemporary complex narrative films, partly tracing historical antecedents, using a useful taxonomy for contemporary complex narrative films." · Nitzan Ben Shaul, Tel Aviv University

"This book effectively combines theories of multiform narrative with subjective realism to develop a sophisticated theory of complex storytelling in contemporary cinema. It presents detailed and distinct analyses of [a number of important films]." · Warren Buckland, Oxford Brookes University

Voir le site internet de l'éditeur Berghahn Books

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