Les livres en français sont sur www.livres-cinema.info
The New Face of Political Cinema
Commitment in French Film since 1995 (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
À propos de l'auteur :
Martin O’Shaughnessy is Reader in French Cultural Studies at Nottingham Trent University. He has written widely on French cinema and is the author of Jean Renoir (Manchester University Press, 2000) and La Grande Illusion (I. B. Tauris, 2009) and co-editor of Cinéma et engagement (L’Harmattan, 2005).
Revue de Presse :
"O’Shaughnessy’s book succeeds in bringing to light a new tendency in French political cinema, and as such will reward the attention of those interested in political cinema as well as French cinema more generally. The book also further opens up fertile terrain in the ‘aesthetic of the fragment’." · Senses of Cinema
"This volume is a major statement on contemporary politically committed cinema. Its strength is that it proposes a careful mapping of the field, teasing out different shades of commitment within the films themselves, and showing the richness of contemporary French cinema in its social-realist mode." · H-France Reviews
"O’Shaughnessy has written a powerful and eloquent polemic for retaining a class analysis of film. Theoretically sophisticated, the book also provides a model of what form that analysis might take, directing us to the signs of resistance which criticism can make politically meaningful." · Cineaste
"His analysis is aptly articulated around influential French theoretical frameworks…It is also usefully informed by the critical debates of Cahiers du cinema and Positif. The book is particularly engaging in its exploration of the strategies mobilized to replace the politics of the past and open up possible future channels." · French Studies
"…a persuasive survey of politics in current French cinema." · Choice
Voir le site internet de l'éditeur Berghahn Books
> Du même auteur :
> Sur un thème proche :
Pepsi and the Pill (2022)
Motherhood, Politics and Film in Britain and France, 1958–1969
Neither God Nor Master (2011)
Robert Bresson and Radical Politics
de Brian Price
Sujet : Réalisateur > Robert Bresson
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
Gender in French Banlieue Cinema (2024)
Intersectional Perspectives
Dir. Marzia Caporale, Claire Mouflard et Habib Zanzana
The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Retour
