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Ghouls, Gimmicks, and Gold (2004)

Horror Films and the American Movie Business, 1953-1968

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A United States Filmography

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Sujet : Les Films > Par période

Girls Will Be Boys:Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

Girls Will Be Boys (2016)

Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

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Sujet : Sociologie

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Transatlantic Television Drama (2019)

Industries, Programs, and Fans

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Sujet : Genre > Drame

Melodrama Unbound:Across History, Media, and National Cultures

Melodrama Unbound (2018)

Across History, Media, and National Cultures

Dir. Christine Gledhill et Linda Williams

Sujet : Genre > Drame

Melodrama After the Tears:New Perspectives on the Politics of Victimhood

Melodrama After the Tears (2016)

New Perspectives on the Politics of Victimhood

Dir. Scott Loren et Jörg Metelmann

Sujet : Genre > Drame

All that Hollywood Allows

Re-reading Gender in 1950s Melodrama (livre en anglais)

de Jackie Byars

Type
Etudes
Sujet
GenreDrame
Mots Clés
cinéma américain, drames, années 50, genre (sexe)
Année d'édition
1991
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 336 pages
15,5 x 23,5 cm
ISBN-10
ISBN-13
0-415-07117-8
978-0-415-07117-8
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Description de l'ouvrage :
All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic.
Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field.

À propos de l'auteur :
Jackie Byars received her Ph.D. from the University of Texas at Austin and has taught radio, television, and film at the University of Wisconsin-Madison, Bryn Mawr College, and Texas Christion University.

Voir le site internet de l'éditeur Routledge

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