Les livres en français sont sur www.livres-cinema.info
MENU   

Sur un thème proche :

Agatha Christie and Gothic Horror:Adaptations and Televisuality

Agatha Christie and Gothic Horror (2024)

Adaptations and Televisuality

de Stuart Richards

Sujet : Genre > Horreur

A New Heritage of Horror:The English Gothic Cinema

A New Heritage of Horror (2024)

The English Gothic Cinema

de David Pirie

Sujet : Genre > Horreur

Italian Gothic:An Edinburgh Companion

Italian Gothic (2024)

An Edinburgh Companion

Dir. Marco Malvestio et Stefano Serafini

Sujet : Genre > Horreur

The Blaxploitation Horror Film:Adaptation, Appropriation and the Gothic

The Blaxploitation Horror Film (2023)

Adaptation, Appropriation and the Gothic

de Jamil Mustafa

Sujet : Genre > Horreur

Screening the Gothic in Australia and New Zealand:Contemporary Antipodean Film and Television

Screening the Gothic in Australia and New Zealand (2022)

Contemporary Antipodean Film and Television

Dir. Jessica Gildersleeve et Kate Cantrell

Sujet : Genre > Horreur

Gothic Film:An Edinburgh Companion

Gothic Film (2022)

An Edinburgh Companion

Dir. Richard J. Hand et Jay McRoy

Sujet : Genre > Horreur

Australian Gothic:A Cinema of Horrors

Australian Gothic (2022)

A Cinema of Horrors

de Jonathan Rayner

Sujet : Genre > Horreur

Contemporary Gothic and Horror Film:Transnational Perspectives

Contemporary Gothic and Horror Film (2021)

Transnational Perspectives

de Keith McDonald et Wayne Johnson

Sujet : Genre > Horreur

Inhuman Materiality in Gothic Media

(livre en anglais)

de Aspasia Stephanou

Type
Etudes
Sujet
GenreHorreur
Mots Clés
horreur, gothic
Année d'édition
2021
Editeur
Routledge
Collection
Routledge Research in Cultural and Media Studies
1ere édition
2019
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 188 pages
16 x 24 cm
ISBN
978-1-032-17812-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
This book examines the manifestations of materiality across different gothic media to show the inhuman at the heart of literature, film and contemporary media, outlining a philosophy of horror that deals with the horror of the nonhuman, the machine and the nonorganic.

The author explores how materiality lends itself ideally to discussions of gothic and horror and acts as a threat to attempts to control meaning which falls outside the realm of consciousness. It brings the two together by examining the manifestations of this materiality to focus on a form of horror that is concerned with the (in) human by reading blood as the conduit of an unnameable materiality that circulates through gothic media, seducing with its familiar mask of gothic aesthetics only to uncover the horror of a totally alienating and inhuman otherness. Film, media, popular culture, philosophy and nineteenth-century literature are brought together and juxtaposed to create a continuity of ideas, and highlighting differences. The book offers innovative readings of notions of blood inscription in different media, of the Dark Web, accelerationism and technoscience to account for the widespread haemophilia in contemporary culture.

This title is an essential read for researchers, undergraduate and postgraduate students in film studies, media studies, literature, philosophy, cultural theory and popular culture. Its interdisciplinary nature, clear exposition of thought and theoretical ideas will make it a key resource for both students and for general readers with an interest in contemporary horror, media and pop culture.

À propos de l'auteur :
Aspasia Stephanou is an independent scholar who has written extensively on the gothic, cultural theory and media. Her publications include Reading Vampire Gothic Through Blood: Bloodlines (Palgrave 2014), Glossator: Practice and Theory of the Commentary: Black Metal (2012) (with Steven Shakespeare, Ben Woodard and Eugene Thacker), and Transgression and Its Limits (co-edited, 2012).

Revue de Presse :
"This is an original, timely, and fascinating contribution to Gothic studies. Utilizing the later work of Paul de Man in a unique and compelling way to consider how horror—and blood in particular—functions in the critique of human anthropocentrism, the analysis is sophisticated and productive as it reveals how horror literature and film 'masks materiality with the lure of meaning.'" --Jeffrey Andrew Weinstock, Central Michigan University, USA

Voir le site internet de l'éditeur Routledge

12581 livres recensés   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info