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Old Stories and Contemporary Issues in Films about Antiquity and the Middle Ages:Idealistic Thinking, Sex, Lies, and Video Political Agendas

Old Stories and Contemporary Issues in Films about Antiquity and the Middle Ages (2022)

Idealistic Thinking, Sex, Lies, and Video Political Agendas

de Luigi Andrea Berto

Sujet : Genre > Historique

Ancient Rome at the Cinema:Story and Spectacle in Hollywood and Rome

Ancient Rome at the Cinema (2010)

Story and Spectacle in Hollywood and Rome

de Elena Theodorakopoulos

Sujet : Genre > Historique

Playing Out the Empire:Ben-Hur and Other Toga Plays and Films, 1883-1908. A Critical Anthology

Playing Out the Empire (1994)

Ben-Hur and Other Toga Plays and Films, 1883-1908. A Critical Anthology

Dir. David Mayer

Sujet : Genre > Historique

The New Peplum:Essays on Sword and Sandal Films and Television Programs Since the 1990s

The New Peplum (2018)

Essays on Sword and Sandal Films and Television Programs Since the 1990s

Dir. Nicholas Diak

Sujet : Genre > Historique

The Roman Mistress:Ancient and Modern Representations

The Roman Mistress (2007)

Ancient and Modern Representations

de Maria Wyke

Sujet : Genre > Historique

Representations of Antiquity in Film

From Griffith to Grindhouse (livre en anglais)

de Kevin M. Mcgeough

Type
Etudes
Sujet
GenreHistorique
Mots Clés
film historique, péplum, épopée ancienne
Année d'édition
2022
Editeur
Equinox Publishing
Collection
Discourses in Ancient Near Eastern and Biblical
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 400 pages
17 x 24 cm
ISBN
978-1-78179-981-9
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Description de l'ouvrage :
Representations of Antiquity in Film offers an introduction to how the ancient world is represented in film, especially in Hollywood cinema, and considers the potential that movies have for helping us think about antiquity and their relationship to more traditional academic historical work.

This book shows how contemporary issues are drawn out through cinematic presentations of the past and how modern values are naturalized through their presentation in ancient settings. Through discussion of films from the silent film era to the present, McGeough traces how films of various genres have shaped our perceptions of Egypt, Mesopotamia, the Holy Land, Greece, Rome, barbarian Europe, and the Maya. Not ignoring the traditional historical epic film, this book also presents detailed analyses of comedies, action films, art house fare, exploitation flicks and any type of movie in which audiences experience depictions of the past.

By considering cinematic narrative and various elements of film design, McGeough presents a comprehensive overview of the topic designed for students and scholars with varying backgrounds in media studies, archaeology, religious studies, and ancient history.

À propos de l'auteur :
Kevin M. McGeough is professor of archaeology in the Department of Geography at the University of Lethbridge and holds a Board of Governor's Research Chair in Archaeological Theory and Reception. Having excavated in Israel, Turkey, Jordan, Egypt, and Canada, he is the co-editor of the Alberta Archaeological Review and chair of publications for the American Society of Overseas Research (ASOR). He is currently researching the reception of Near Eastern Archaeology in a variety of media and has recently published a three-volume book on archaeological reception in the Victorian era, The Ancient Near East in the Nineteenth Century (2015).

Voir le site internet de l'éditeur Equinox Publishing

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