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Sur un thème proche :

Bong Joon Ho:Dissident Cinema

Bong Joon Ho (2022)

Dissident Cinema

de Karen Han

Sujet : Réalisateur > Bong Joon-ho

Parasite:A Philosophical Exploration

Parasite (2022)

A Philosophical Exploration

de Thorsten Botz-Bornstein et Giannis Stamatellos

Sujet : Un Film > Parasite

David Lean:Filmmaker and Philosopher

David Lean (2025)

Filmmaker and Philosopher

de Lydia Goehr

Sujet : Réalisateur > David Lean

Chantal Akerman:Filmmaker and Philosopher

Chantal Akerman (2025)

Filmmaker and Philosopher

de Andreja Novakovic

Sujet : Réalisateur > Chantal Akerman

Jane Campion:Filmmaker and Philosopher

Jane Campion (2025)

Filmmaker and Philosopher

de Bernadette Wegenstein

Sujet : Réalisateur > Jane Campion

Cloud:Between Paris and Tehran: Kiarostami/Corbin/Lacan

Cloud (2025)

Between Paris and Tehran: Kiarostami/Corbin/Lacan

de Joan Copjec

Sujet : Réalisateur > Abbas Kiarostami

Secret Violences:The Political Cinema of Michelangelo Antonioni, 1960-75

Secret Violences (2024)

The Political Cinema of Michelangelo Antonioni, 1960-75

de Slawomir Maslon

Sujet : Réalisateur > Michelangelo Antonioni

Bong Joon Ho

Philosopher and Filmmaker (livre en anglais)

de Anthony Curtis Adler

Type
Etudes
Sujet
RéalisateurBong Joon-ho
Mots Clés
Bong Joon Ho, réalisateur, philosophie
Année d'édition
2025 (11 décembre 2025) (à paraître)
Editeur
Bloomsbury Academic
Collection
Philosophical Filmmakers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 240 pages
14 x 21,5 cm
ISBN
978-1-350-41466-2
Appréciation
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Description de l'ouvrage :
With the release of Parasite (2019), recipient of the Palme d'Or and an Academy Award for Best Picture, South Korean director, Bong Joon Ho, secured his place as one of his generation's leading filmmakers. Yet while scholars and critics have long appreciated his penetrating critique of Korean society and global capitalism, his oeuvre has not been considered from a philosophical perspective. This book argues that his cinema is philosophical and in a radical and original rather than derivative sense.

Anthony Curtis Adler explores Bong's assertion that Western philosophy is itself a “cinematic apparatus.” He claims philosophy anticipates cinema's technical and expressive means and cinema in turn possesses an extraordinary capacity to criticize philosophy from within. Focusing on the interaction of three closely linked philosophical-cinematic apparatuses used by Bong (the projection of visionary spaces, self-domestication and human life itself as a drama), this book features close readings of his seven feature-length films.

Drawing out the philosophical depth of a visionary auteur, Adler brings us on a journey into a unique cinematic world.

À propos de l'auteur :
Costica Bradatan is a Professor of Humanities in the Honors College at Texas Tech University, USA, and an Honorary Research Professor of Philosophy at University of Queensland, Australia. He is the author or editor of several books, and his work has been translated into many languages, including Dutch, German, Italian, Chinese, Vietnamese, and Farsi. Bradatan writes regularly for such publications as the New York Times, Times Literary Supplement, Aeon, Dissent, and The New Statesman, and serves as the Religion/Comparative Studies Editor for the Los Angeles Review of Books.

Voir le site internet de l'éditeur Bloomsbury Academic

Voir la filmographie complète de Bong Joon-ho sur le site IMDB ...

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