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Beyond the Monoplot (2025)

How to Write Unconventional Films (and Why We Should)

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Sujet : Technique > Ecriture

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Sujet : Technique > Ecriture

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Sujet : Technique > Ecriture

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Scriptnotes (2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

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Sujet : Technique > Ecriture

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Short Film Screenwriting (2024)

A Craft Guide and Anthology

de Austin Bunn

Sujet : Technique > Ecriture

Screenwriting:The Sequence Approach

Screenwriting (2024)

The Sequence Approach

de Paul Joseph Gulino

Sujet : Technique > Ecriture

We Have Some Notes...:The Insider's Guide to Notes, Script Editing and Development

We Have Some Notes... (2024)

The Insider's Guide to Notes, Script Editing and Development

de Venetia Hawkes

Sujet : Technique > Ecriture

Sixteen Weeks to Fade Out

A Practical Guide to Screenwriting (livre en anglais)

de Michael D. Acosta

Type
Ouvrage didactique
Sujet
TechniqueEcriture
Mots Clés
écriture
Année d'édition
2023
Editeur
University of North Carolina at Chapel Hill
Collection
Writing for the Screen and Stage Program
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 100 pages
15 x 23 cm
ISBN
978-1-4696-7426-1
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Description de l'ouvrage :
This is a comprehensive guide to writing the first draft of a feature length screenplay. While it focuses on the college semester (16 Weeks), it is also completely appropriate for anyone attempting to write a screenplay within a timeline. The text breaks down different approaches to designing a screenplay by providing pragmatic guidelines enhancing your ability to use creativity rather than focusing on rules. It highlights the skills necessary to execute compelling visual language to achieve good story, plot, dialog, dynamic characters, and help you put it all together. Think of this as a companion tool as you write. The language is simplified and yet academic, theoretically sound and yet pragmatic. It also offers additional insight into the history of screenwriting, the re-write process, and the specific skill sets needed for adaptation.

This book is easy to understand and provides accounts for context from the author as a professional screenwriter, as well as anecdotes from other professionals (David Mickey Evans – The Sand Lot, and Vince McKewin – Fly Away Home, and Jeb Stuart – Die Hard, The Fugitive, Dana Coen – JAG, NCIS, and Anthony Tambakis — Warrior, Suicide Squad 2).

À propos de l'auteur :
Dr. Michael D. Acosta is a professor at the University of North Carolina at Chapel Hill in the Writing for the Screen & Stage Program and a professional screenwriter. He is as passionate about creating imaginary worlds as he is teaching these skills to his students. Mike is also a jazz musician and retired from the U.S. Navy.

Voir le site internet de l'éditeur University of North Carolina at Chapel Hill

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