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Cinema and the Environment in Eastern Europe
From Communism to Capitalism (livre en anglais)
Sous la direction de Masha Shpolberg et Lukas Brasiskis
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Description de l'ouvrage :
The annexation of Eastern Europe to the Soviet sphere after World War II dramatically reshaped popular understandings of the natural environment. With an eco-critical approach, Cinema and the Environment in Eastern Europe breaks new ground in documenting how filmmakers increasingly saw cinema as a tool to critique the social and environmental damage of large-scale projects from socialist regimes and newly forming capitalist presences. New and established scholars with backgrounds across Europe, the United States, and Australia come together to reflect on how the cultural sphere has, and can still, play a role in redefining our relationship to nature.
À propos des auteurs :
Masha Shpolberg is Assistant Professor of Film and Electronic Arts at Bard College. She is currently at work on a book entitled Labor in Late Socialism: The Cinema of Polish Workers’ Unrest. In addition to this volume, she is also co-editor, with Anastasia Kostina, of Contemporary Russian Documentary, forthcoming from Edinburgh University Press.Lukas Brasiskis is an adjunct professor at New York University and CUNY/Brooklyn College, as well as Associate Curator of Film and Video for e-flux. His texts were previously published in journals, such as Found Footage Magazine, The Cine-Files, Screening the Past, and Senses of Cinema. He is a co-editor of Jonas Mekas: The Camera was Always Running (Yale University Press, 2022).
Revue de Presse :
"This collection provides a comprehensive analysis of Eastern European film culture and ecocinema, integrating them expertly to provide a deep historical and geocultural analysis of variations in ecocinematic representations and the ways these film cultures have been engaging with environmental matters. The contextualization of existing scholarship with the particularities of Eastern European political and cultural history is exciting and innovative." • Pietari Kaapa, University of Warwick
Voir le site internet de l'éditeur Berghahn Books
> Des mêmes auteurs :
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
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Sujet : Pays > Russie / URSS
Jonas Mekas (2022)
The Camera Was Always Running
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Sujet : Réalisateur > Jonas Mekas
> Sur un thème proche :
From Self-fulfilment to Survival of the Fittest (2020)
Work in European Cinema from the 1960s to the Present
Work, Ideology, and Film Under Socialism in Romania (2024)
Studies in the Sociology of Film
Stories between Tears and Laughter (2024)
Popular Czech Cinema and Film Critics
Albanian Cinema Through the Fall of Communism (2023)
Silver Screens and Red Flags
Cinema of Collaboration (2022)
DEFA Coproductions and International Exchange in Cold War Europe
Contemporary Balkan Cinema (2020)
Transnational Exchanges and Global Circuits
Dir. Lydia Papadimitriou et Ana Grgic
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