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Spanish Meta-Art and Contemporary Cinema
Mirrors to the Unconscious (livre en anglais)
de Guillermo Rodríguez-Romaguera
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Description de l'ouvrage :
Can cinema reveal its audience’s most subversive thinking? Do films have the potential to project their viewers’ innermost thoughts making them apparent on the screen? This bookargues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes’ Don Quixote, Diego Velázquez’ Las meninas and Luis Buñuel’s Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.
À propos de l'auteur :
Guillermo Rodríguez-Romaguera is Assistant Professor of Cinema and Television Arts at California State University-Northridge, USA. He is a narrative filmmaker and film scholar from San Juan, Puerto Rico.
Revue de Presse :
"Spanish Meta-Art and Contemporary Cinema ambitiously maps cinematic spectatorship through the intermedial cultural histories of Spanish art. Rodríguez-Romaguera's readings richly explore self-reflexive artistic and film traditions through metaphors of veiled vision, trauma, spectrality, or dreaming. This book makes a significant contribution to film aesthetics and a compelling case for revisiting Spanish classic visual art and literature in dialogue with international cinema." ―Belén Vidal, Reader in Film Studies, King's College London, UK, and author of Figuring the Past: Period Film and the Mannerist Aesthetic (2012)
"Through the development of concepts such as the veiled screen, Rodriguez provides a fascinating reappraisal of visual theory and a reconsideration of the relationship between art, ideology, and the unconscious. The book's thorough and compelling intermedial analyses of film against works of meta-art demonstrate the possibilities of comparative reading and thinking." ―Jacqueline Sheean, Assistant Professor, Department of World Languages and Cultures, University of Utah, USA
Voir le site internet de l'éditeur Bloomsbury Academic
> Sur un thème proche :
Volatile Whiteness (2025)
Race, Cinema, and Europeanization in Spain
Catalan Cinema (2024)
The Barcelona Film School and the New Avant-Garde
Dir. Anton Pujol et Jaume Martí-Olivella
Patriarchy's Remains (2024)
An Autopsy of Iberian Cinematic Dark Humour
Spanish Lessons (2022)
Cinema and Television in Contemporary Spain
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