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Movie Music, The Film Reader
Edited by Kay Dickinson
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Book Presentation:
Bringing together material from the areas of documentary, fandom and animation, Movie Music, the Film Reader comprises an important first collection of writings about film music. It is divided into four sections, each with an introduction by the editor. Essays in The Meanings of the Score look at instrumental scores, their production and reception, and questions the onscreen power of the nineteenth century classical genre. The Place of the Song turns to popular music, asking how the pop score supports the film narrative. Formal Politics of Music on Film considers the subversive power of film music, and in Crossing Over Into the Narrative articles address the use of musicians within film narratives, from rockumentaries to pop-stars-as-movie-stars, such as Madonna in Desperately Seeking Susan.
About the Author:
Kay Dickinson
See the publisher website: Routledge
> From the same author:
Film Studies (2015)
A Global Introduction
by Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo
Subject: Film Analysis
> On a related topic:
Haunted Soundtracks (2025)
Audiovisual Cultures of Memory, Landscape, and Sound
Dir. Kevin J. Donnelly and Aimee Mollaghan
The Synergy of Music and Image in Audiovisual Culture (2023)
Half-Heard Sounds and Peripheral Visions
Musical Sincerity and Transcendence in Film (2023)
Reflexive Fictions
Eye for Music (2011)
Popular Music and the Audiovisual Surreal
Sound Design is the New Score (2019)
Theory, Aesthetics, and Erotics of the Integrated Soundtrack
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