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Screening American Independent Film

Edited by Justin Wyatt and W.D. Phillips

Type
Essays
Subject
GenreIndependent cinema
Keywords
independent cinema, american cinema
Publishing date
2023
Publisher
Routledge
Collection
Screening Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 524 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-032-16062-7
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Book Presentation:
This indispensable collection offers 51 chapters, each focused on a distinct American independent film.


Screening American Independent Film
presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology.

Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

About the authors:
Justin Wyatt is an Associate Professor of Communication Studies, Film/Media, and Journalism at the University of Rhode Island. He is the author of The Virgin Suicides: Reverie, Sorrow and Young Love (Routledge) and the co-editor of Contemporary American Independent Film: From the Margins to the Mainstream (Routledge). He is completing a manuscript on qualitative and quantitative market research methods in the media industries. He has published in the fields of media history, film marketing, and media industry studies.
Wyatt D. Phillips is an Associate Professor of Film and Media Studies in the English Department at Texas Tech University. His work primarily engages questions of the political economy of media production and circulation. His current book project considers the historical relationship between turn-of-the-century business culture and the significance of genre in early Hollywood. His publications include work on the economic structure and history of the American film industry, the rise of drive-in theaters, and Camp TV of the 1960s.

See the publisher website: Routledge

> From the same authors:

The Virgin Suicides:Reverie, Sorrow and Young Love

The Virgin Suicides (2020)

Reverie, Sorrow and Young Love

by Justin Wyatt

Subject: One Film > The Virgin Suicides

High Concept:Movies and Marketing in Hollywood

High Concept (1995)

Movies and Marketing in Hollywood

by Justin Wyatt

Subject: Economics

> On a related topic:

The Talent Management of Indie Authorship:From American independent cinema and short “films” to pay-TV and streaming

The Talent Management of Indie Authorship (2024)

From American independent cinema and short “films” to pay-TV and streaming

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The Cinema of Discomfort:Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film

The Cinema of Discomfort (2023)

Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film

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Dark Matter:Independent Filmmaking in the 21st Century

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How Not to Make a Movie:An Independent Filmmaker in Hollywood Hell

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The Stillness of Solitude:Romanticism and Contemporary American Independent Film

The Stillness of Solitude (2019)

Romanticism and Contemporary American Independent Film

by Michelle Devereaux

Subject: Genre > Independent cinema

Rewriting Indie Cinema:Improvisation, Psychodrama, and the Screenplay

Rewriting Indie Cinema (2019)

Improvisation, Psychodrama, and the Screenplay

by J. J. Murphy

Subject: Genre > Independent cinema

Engaging Dialogue:Cinematic Verbalism in American Independent Cinema

Engaging Dialogue (2018)

Cinematic Verbalism in American Independent Cinema

by Jennifer O'Meara

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