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Indian Cinema Today and Tomorrow
Infrastructure, Aesthetics, Audiences
de S. V. Srinivas, Ratheesh Radhakrishnan, Subhajit Chatterjee et Omita Goyal
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Description de l'ouvrage:
Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, with content made especially for TV, as well as social media.
This volume covers developments in Indian Cinema over the last decade. It explores an array of changes which has dramatically changed cinema — a surge of new filming and broadcasting technologies, from the camera phone to the most sophisticated digital equipment; an avalanche of talent, from trained to completely untrained actors; and a volume of content difficult to document and categorise. It also studies cinema growth and reactions to the onslaught of home entertainment and discusses its changing formats over the years, from TV to satellite, to VCRs and DVDs, serials to OTT streaming platforms.
This book will be of great interest to scholars and researchers in film studies, performance studies, cultural studies, media studies, and popular culture. It will also interest professionals working in media and entertainment industries.
À propos des auteurs :
Subhajit Chatterjee is Assistant Professor, Department of Film Studies, Jadavpur University, Kolkata.
Ratheesh Radhakrishnan teaches literature and film at the Department of Humanities and Social Sciences, Indian Institute of Technology, Mumbai.
S.V. Srinivas is Professor at the School of Arts and Sciences, Azim Premji University, Bengaluru.
Omita Goyal is Chief Editor, IIC Quarterly, Journal of the India International Centre, New Delhi.
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
Tamil Cinema in the Twenty-First Century (2022)
Caste, Gender and Technology
Dir. Selvaraj Velayutham et Vijay Devadas
Bollywood's New Woman (2021)
Liberalization, Liberation, and Contested Bodies
Dir. Megha Anwer et Anupama Arora
Dark Fear, Eerie Cities (2019)
New Hindi Cinema in Neoliberal India
The Politics of Hindi Cinema in the New Millennium (2014)
Bollywood and the Anglophone Indian Nation
Mourning the Nation (2009)
Indian Cinema in the Wake of Partition
Amar Akbar Anthony (2016)
Bollywood, Brotherhood, and the Nation
de William Elison, Christian Lee Novetzke et Andy Rotman
Sujet : One Film > Amar Akbar Anthony
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