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Nationalism and the Cinema in France

Political Mythologies and Film Events, 1945-1995

de Hugo Frey

Type
Studies
Sujet
Sociology
Mots Clés
sociology, France, French cinema
Année d'édition
2016
1ere édition
2014
Editeur
Berghahn Books
Collection
Berghahn on Film
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 250 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-78533-208-1
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Description de l'ouvrage:
It is often taken for granted that French cinema is intimately connected to the nation’s sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the ‘political myth’ and ‘the film event’ are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonialism, and other exclusionary discourses, as well as discussing for the first time the subculture of cinema around the extreme right Front National. Key works from directors such as Michel Audiard, Jean-Luc Godard, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, François Truffaut, and others provide a rich body of evidence.

Voir le site internet de l'éditeur Berghahn Books

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