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The French New Wave:Critical Landmarks

The French New Wave (2022)

Critical Landmarks

Dir. Peter Graham and Ginette Vincendeau

Subject: Countries > France

Intermedial Dialogues:The French New Wave and the Other Arts

Intermedial Dialogues (2021)

The French New Wave and the Other Arts

by Marion Schmid

Subject: Countries > France

Riding the New Wave:Youth and the Rejuvenation of France After the Second World War

Riding the New Wave (2009)

Youth and the Rejuvenation of France After the Second World War

by Richard Ivan Jobs

Subject: Countries > France

The French New Wave:A New Look

The French New Wave (2007)

A New Look

by Naomi Greene

Subject: Countries > France

The French New Wave:an artistic school

The French New Wave (2002)

an artistic school

by Michel Marie

Subject: Countries > France

Les Affiches de la Nouvelle vague

Les Affiches de la Nouvelle vague (2003)

by Serge Zreik
(in French and English)

Subject: On Films > Posters

Nouvelles Femmes:Modern Women of the French New Wave and Their Enduring Contribution to Cinema

Nouvelles Femmes (2025)

Modern Women of the French New Wave and Their Enduring Contribution to Cinema

by Ericka Knudson

Subject: Countries > France

French new wave:A revolution in design

French new wave (2019)

A revolution in design

by Christopher Frayling

Subject: Countries > France

A History of the French New Wave Cinema

by Richard Neupert

Type
Studies
Subject
CountriesFrance
Keywords
French New Wave, French cinema
Publishing date
2002
   > See the newer edition (2007)
Publisher
University of Wisconsin Press
Collection
Wisconsin Studies in Film
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 368 pages
6 x 8 ¾ inches (15 x 22 cm)
ISBN-10
ISBN-13
0-299-18164-2
978-0-299-18164-2
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Book Presentation:
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring and avant-garde techniques. This is a fresh look at the social, economic and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. Jean-Pierre Melville, Alexandre Astruc, and the young Agnes Varda all offered valuable narrative lessons and cheap production models. They were followed by Roger Vadim and Louis Malle, whose sexy storylines and lively new narrative strategies helped define a marketable, youthful cinema. But Neupert demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinema - especially Francois Truffaut, Claude Chabrol, and Jean-Luc Godard - who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave.

See the publisher website: University of Wisconsin Press

> From the same author:

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