Surviving Images
Cinema, War, and Cultural Memory in the Middle East
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
• Fills a gap in the critical literature on both Middle Eastern cinemas (including North Africa) and the cultural memory of conflict
• Presents a cohesive and informative narrative of cinematic production in the Middle East
• Expands the purview of trauma studies to compare it with other contexts of suffering and violence as they emerge in the postcolonial world
Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.
About the Author:
Kamran Rastegar, Associate Professor of Arabic Literature and Culture, Tufts University Kamran Rastegar is Associate Professor of Arabic Literature and Culture at Tufts University.
Press Reviews:
"expertly researched and well-elucidated ... A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegarâs book is likely to become a major text in the field." - R. B. Wise, CHOICE
See the publisher website: Oxford University Press
> On a related topic:
An Atonal Cinema (2025)
Resistance, Counterpoint and Dialogue in Transnational Palestine
Subject: Countries > Middle East
Reorienting the Middle East (2024)
Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet
Dir. Dale Hudson and Alia Yunis
Subject: Countries > Middle East
Understanding the Public Sector in Egyptian Cinema (2024)
A State Venture
Subject: Countries > Middle East
Reel Gender (2024)
Palestinian and Israeli Cinema
Dir. Sa'ed Atshan and Katharina Galor
Subject: Countries > Middle East
Crisis Cinema in the Middle East (2024)
Creativity and Constraint in Iran and the Arab World
Subject: Countries > Middle East
Cinema in the Arab World (2024)
New Histories, New Approaches
Dir. Ifdal Elsaket, Daniel Biltereyst and Philippe Meers
Subject: Countries > Middle East
Resistance, Dissidence, Revolution (2023)
Documentary Film Esthetics in the Middle East and North Africa
by Viola Shafik
Subject: Countries > Middle East
Representations of Palestine in Egyptian Cinema (2023)
Politics of (In)visibility
Subject: Countries > Middle East