Les livres en français sont sur www.livres-cinema.info
The Routledge Companion to Global Film Music in the Early Sound Era
Sous la direction de Jeremy Barham
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s).
Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues―culturally, historically, and aesthetically―across five parts:
- Western Europe and Scandinavia
• Central and Eastern Europe
• North Africa, The Middle East, Asia, and Australasia
• Latin America
• Soviet Russia
Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
À propos de l'auteur :
Jeremy Barham is Professor of Music at the University of Surrey, where he is also Director of the Institute of Austrian and German Music Research. He researches screen music, the music and culture of Gustav Mahler, and jazz. He was supported by the British Academy and DAAD in an archival investigation into the music of early German sound film, from which this edited volume grew. In screen music, he has published on experimental film, pre-existent music, the sci-fi genre, the aesthetics of live-score screenings, and jazz in film.
Voir le site internet de l'éditeur Routledge
> Du même auteur :
The Music and Sound of Experimental Film (2017)
Dir. Holly Rogers et Jeremy Barham
Sujet : Genre > Experimental
> Sur un thème proche :
After the Silents (2014)
Hollywood Film Music in the Early Sound Era, 1926-1934
Uncanny Bodies (2007)
The Coming of Sound Film and the Origins of the Horror Genre
You Ain't Heard Nothin' Yet (2000)
The American Talking Film, History and Memory, 1927-1949
Sujet : History of Cinema
Retour
