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Play the Way You Feel

The Essential Guide to Jazz Stories on Film

by Kevin Whitehead

Type
Studies
Subject
TechniqueMusic
Keywords
jazz, music, guide
Publishing date
2020
Publisher
Oxford University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 400 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-19-084757-9
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Book Presentation:
• Provides a film-by-film guide, from biopics and musicals to voodoo tales and adapted Shakespeare
• Offers the most exhaustive survey of the field to date
• Unearths forgotten or overlooked media, including shorts, cartoons, and television shows

Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years—from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York.

Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.

About the Author:
Kevin Whitehead, Jazz Critic, NPR's Fresh Air Kevin Whitehead, the longtime jazz critic for NPR's Fresh Air, has written about jazz, movies, and popular culture for 40 years. His books include New Dutch Swing (1998) and Why Jazz? A Concise Guide (2011). His essays have appeared in such collections as The Cartoon Music Book, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths. Whitehead has taught at the University of Kansas, Towson University, and Goucher College.

Press Reviews:
"With a lot of research, insights and background on jazz, jazz biographies and the eye and ear for a certain lore, mystery, and irony whenever biographies, anecdotes and oral jazz history are referred to, Whitehead presents a fine work on some aspects of the jazz film. Well worth reading and having on the shelf." - Dr. A. Ebert, JIVE-TALK.COM

"a fun read" - Steve Ramm, The Antique Phonograph

"Jazz and cinema, the two definitive art forms of the 20th Century, have led an often troubled co-existence. Play the Way You Feel traces the frequent missteps and occasional triumphs of jazz in film with the deep knowledge, superior taste, and acerbic wit we have come to expect from Kevin Whitehead. An essential book for all jazz fans, and a necessary corrective for anyone whose knowledge of the music is based on what they have learned at the movies." - Bob Blumenthal, author of Jazz: An Introduction to the History and Legends Behind America's Music

"A revelation! From the bad to the beautiful, Kevin Whitehead brilliantly illuminates each frame to show us why jazz in the movies matters in all its incarnations. He masterfully guides us through this rich and complicated story, making connections that reveal deeper meanings and aha moments that change our view of jazz, film and ourselves." - Dominique Eade, Jazz Vocalist and Teacher, New England Conservatory

See the publisher website: Oxford University Press

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