Les livres en français sont sur www.livres-cinema.info
MENU   

Outside the Lettered City

Cinema, Modernity, and the Public Sphere in Late Colonial India

de Manishita Dass

Type
Studies
Sujet
CountriesIndia
Mots Clés
India, sociology
Année d'édition
2015
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 248 pages
5 ½ x 8 ¼ inches (14 x 21 cm)
ISBN
978-0-19-939439-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
• Traces how middle-class Indians responded to the rise of the cinema as a popular form of mass entertainment in early 20th century India
• Draws from case-studies on the film cultures of Bombay and Kolkata to demonstrate how discourses about the cinematic public dovetailed into discourses about a national public
• Uses four main examples (the mythological film; the Indian Cinematograph Committee (ICC) Report and interview transcripts; the figure of the "modern woman " and the female star of the 1920s and 1930s; and essays and criticism of elite and middlebrow Bengali film journals) to show how a series of early films shaped views of the nation, encouraged sociopolitical reform, and educated the populace

Outside the Lettered City traces how middle-class Indians responded to the rise of the cinema as a popular form of mass entertainment in early 20th century India, focusing on their preoccupation with the mass public made visible by the cinema and with the cinema's role as a public sphere and a mass medium of modernity. It draws on archival research to uncover aspirations and anxieties about the new medium, which opened up tantalizing possibilities for nationalist mobilization on the one hand, and troubling challenges to the cultural authority of Indian elites on the other. Using case-studies drawn from the film cultures of Bombay and Kolkata, it demonstrates how discourses about the cinematic public dovetailed into discourses about a national public, giving rise to considerable excitement about cinema's potential to democratize the public sphere beyond the limits of print-literate culture, as well as to deepening anxieties about cultural degeneration. The case-studies also reveal that early twentieth century discourses about the cinema contain traces of a formative tension in Indian public culture, between visions of a deliberative public and spectres of the unruly masses.

À propos de l'auteur :
Manishita Dass, Lecturer, Royal Holloway, University of London Manishita Dass is Lecturer in World Cinema at Royal Holloway, University of London.

Revue de Presse:
"This book-length study of the emergence of cinema as a mass public entertainment and the discursive relationship between different cinematic constituencies brings forth a rich and complex cinematic culture and will be a meaningful addition to the field." - BioScope

"Over and above the strength of its arguments, Outside the Lettered City is a shining example of comprehensive archival research that is optimized through approaches drawn from ethnography, anthropology, and cultural history." - Studies in South Asian Film & Media

"Dass' book is an important contribution to the field of South Asian cinema studies and provides meaningful ways of understanding third world cinema in a global context." - South Asia: Journal of South Asian Studies

Voir le site internet de l'éditeur Oxford University Press

> Du même auteur :

> Sur un thème proche :

The Vanishing Point:Moving Images After Video

The Vanishing Point (2022)

Moving Images After Video

de Rashmi Sawhney

Sujet : Countries > India

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

Muslim Identity in Hindi Cinema (2025)

Poetics and Politics of Genre and Representation

de Mohammad Asim Siddiqui

Sujet : Countries > India

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

Postcolonial Bollywood and Muslim Identity (2024)

Production, Representation, and Reception

de Nadira Khatun

Sujet : Countries > India

Visual Anthropology of Indian Films:Religious Communities and Cultural Traditions in Bollywood and Beyond

Visual Anthropology of Indian Films (2024)

Religious Communities and Cultural Traditions in Bollywood and Beyond

Dir. Pankaj Jain

Sujet : Countries > India

Tear-Drenched Earth:Cinema and the Partition of India

Tear-Drenched Earth (2024)

Cinema and the Partition of India

de John W. Hood

Sujet : Countries > India

Ways of Remembering:Law, Cinema and Collective Memory in the New India

Ways of Remembering (2024)

Law, Cinema and Collective Memory in the New India

de Oishik Sircar

Sujet : Countries > India

House Full:Indian Cinema and the Active Audience

House Full (2016)

Indian Cinema and the Active Audience

de Lakshmi Srinivas

Sujet : Countries > India

Bollywood and Globalization:The Global Power of Popular Hindi Cinema

Bollywood and Globalization (2015)

The Global Power of Popular Hindi Cinema

Dir. David J. Schaefer et Kavita Karan

Sujet : Countries > India

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •