Books in French are on www.livres-cinema.info
MENU   

The Major Film Theories

An Introduction

by J. Dudley Andrew

Type
Studies
Subject
Theory
Keywords
theory, Sergei Eisenstein, André Bazin, semiotics, Siegfried Kracauer, Christian Metz
Publishing date
1976
Publisher
Oxford University Press
Collection
Galaxy Books
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 288 pages
5 ¼ x 8 inches (13.5 x 20.5 cm)
ISBN-10
ISBN-13
0-19-501991-1
978-0-19-501991-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Both a history of film theory and an introduction to the work of the most important writers in the field, Andrew's volume reveals the bases of thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz.

Dudley Andrew is a master at making the world of film theory accessible to a largely mystified public. Since the publication of his Major Film Theories, a classic in the field, the sophistication of the debate concerning the proper approach to film has grown. It is now the province of critics and universities instead of directors and artists, and this book concentrates on the main areas of the debate rather than on the individual figures. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. Throughout he presents his own strong views on the relationship of film theory to criticism, history, and analysis. His clear approach to often obscure theories goes a long way towards bringing an important area of cultural discussion out of its academic exile.

About the Author:
J. D. Andrew is at University of Iowa.

Press Reviews:
"This history of film theory will enrich our discipline and remain an important source of both information and understanding for some time to come."--Quarterly Review of Film Studies

"Andrew's guidebook...is the first in English to cover a relatively broad range of figures."--Sight and Sound

"Sure to whet one's appetite for the contemporary French film theory of Mitry, Metz, Ayfre and Agel."--Film Criticism

"The book is excellent."--Ivan Pedro Murily, Southern Illinois University

See the publisher website: Oxford University Press

> From the same author:

> On a related topic:

The Major Realist Film Theorists:A Critical Anthology

The Major Realist Film Theorists (2016)

A Critical Anthology

Dir. Ian Aitken

Subject: Theory

Christian Metz and the Codes of Cinema:Film Semiology and Beyond

Christian Metz and the Codes of Cinema (2018)

Film Semiology and Beyond

Dir. Margrit Tröhler and Guido Kirsten

Subject: Theory

Conversations with Christian Metz:Selected Interviews on Film Theory

Conversations with Christian Metz (2017)

Selected Interviews on Film Theory

Dir. Warren Buckland and Daniel Fairfax

Subject: Theory

Nonindifferent nature:Film and the Structure of Things

Nonindifferent nature (1987)

Film and the Structure of Things

by Sergei Eisenstein

Subject: Theory

The Practical Critic:André Bazin on Film, 1945-1958

The Practical Critic (2023)

André Bazin on Film, 1945-1958

by James R. Russo

Subject: Theory

André Bazin's Film Theory:Art, Science, Religion

André Bazin's Film Theory (2020)

Art, Science, Religion

by Angela Dalle Vacche

Subject: Theory

Opening Bazin:Postwar Film Theory and Its Afterlife

Opening Bazin (2011)

Postwar Film Theory and Its Afterlife

Dir. Dudley Andrew and Herve Joubert-Laurencin

Subject: Theory

11749 books listed   •   (c)2024-2025 cinemabooks.info   •