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Impossible Speech:The Politics of Representation in Contemporary Korean Literature and Film

Impossible Speech (2024)

The Politics of Representation in Contemporary Korean Literature and Film

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Sujet : Countries > Korea

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Twentieth-Century Transformations in Korea's Film and Transportation

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Sujet : Countries > Korea

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Transnational Korean Cinema (2019)

Cultural Politics, Film Genres, and Digital Technologies

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Sujet : Countries > Korea

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The New Russian Documentary (2025)

Reclaiming Reality in the Age of Authoritarianism

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Sujet : Countries > Russia / USSR

Resistance in Indian Documentary Film:Aesthetics, Culture and Practice

Resistance in Indian Documentary Film (2024)

Aesthetics, Culture and Practice

Dir. Shweta Kishore et Kunal Ray

Sujet : Countries > India

Documenting Socialism:East German Documentary Cinema

Documenting Socialism (2024)

East German Documentary Cinema

Dir. Seán Allan et Sebastian Heiduschke

Sujet : Countries > Germany

Resistance, Dissidence, Revolution:Documentary Film Esthetics in the Middle East and North Africa

Resistance, Dissidence, Revolution (2023)

Documentary Film Esthetics in the Middle East and North Africa

de Viola Shafik

Sujet : Countries > Middle East

Forever Girls:Necro-Cinematics and South Korean Girlhood

Forever Girls (2025)

Necro-Cinematics and South Korean Girlhood

de Jinhee Choi

Sujet : Countries > Korea

Hallyuwood:The Ultimate Guide to Korean Cinema

Hallyuwood (2025)

The Ultimate Guide to Korean Cinema

de Bastian Meiresonne

Sujet : Countries > Korea

Activism and Post-activism

Korean Documentary Cinema, 1981--2022

de Jihoon Kim

Type
Studies
Sujet
CountriesKorea
Mots Clés
Korea, politics, documentary
Année d'édition
2024 (February 06, 2024)
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 328 pages
6 ¼ x 8 ¾ inches (16 x 22.5 cm)
ISBN
978-0-19-776042-0
Appréciation
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Description de l'ouvrage:
Activism and Post-activism: Korean Documentary Cinema, 1981--2022 is a new book about nonfiction filmmaking in the private and independent sectors of South Korean cinema and media from the early 1980s to the present day. Drawing on the methodologies of documentary studies, experimental film and video, digital cinema, local discourses on independent documentary, and the literature on the social changes of South Korea, author Jihoon Kim historicizes the formation and development of Korean independent documentary in close dialogue with South Korea's social movements. From the 1980s mass anti-dictatorship movement to twenty-first-century labor issues, feminism, LGBT rights, environmental justice, and key events such as the Sewol Ferry disaster and the Candlelight Protests, Kim offers a comprehensive history of Korean social change documentaries in terms of their activist tradition.

At the same time, Kim also maps out the formal and aesthetic divergences of twenty-first-century Korean documentary cinema beyond the activist tradition, while also demonstrating how they have inherited and dynamically renewed the tradition's engagement with contested reality and history. Making the tripartite connections between the socio-political history of South Korea, documentary's aesthetics and politics, and the shifting institutional and technological evolution of documentary production and distribution, the book argues that what is unique about this forty-year history of South Korean documentary cinema is the intensive and compressed coevolution of its two interlocked tendencies: activism and post-activism.

À propos de l'auteur :
Jihoon Kim is Professor of Cinema and Media Studies at Chung-Ang University. He is the author of Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary (2022) and Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (2016).

Revue de Presse:
"Activism and Post-activism is its breadth, making it essential reading for anyone wanting to undertake research in this field." -- Christopher Corker, Asian Review of Books

"All in all, the book offers rich textual and contextual analyses that would appeal to both experienced scholars and emerging researchers alike while also serving as an excellent textbook for introductory courses on Korean documentary cinema at the undergraduate and graduate levels." -- Qingyang Freya Zhou, Journal of Japanese and Korean Cinema

"I believe Kim's book should be read by scholars and researchers in cinema and media studies, as well as Asian Studies. It could also serve as an inviting textbook for university courses in documentary studies and Korean Studies." -- Ran Ma, Seoul Journal of Korean Studies

Voir le site internet de l'éditeur Oxford University Press

> Du même auteur :

Documentary's Expanded Fields:New Media and the Twenty-First-Century Documentary

Documentary's Expanded Fields (2022)

New Media and the Twenty-First-Century Documentary

de Jihoon Kim

Sujet : Genre > Documentary

Between Film, Video, and the Digital:Hybrid Moving Images in the Post-Media Age

Between Film, Video, and the Digital (2018)

Hybrid Moving Images in the Post-Media Age

de Jihoon Kim

Sujet : Genre > Experimental

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