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The Art of Sergio Leone's Once Upon a Time in the West

A Critical Appreciation

by John Fawell

Type
Studies
Subject
One FilmOnce Upon a Time in  the West
Keywords
Sergio Leone, Italian westerns
Publishing date
2005
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 223 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-7864-2092-8
978-0-7864-2092-6
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Book Presentation:
Few directors are characterized by both extraordinary film craft and the ironic reputation for lowbrow films. Despite his many achievements as a child of the Italian Cinecitta studios, however, Sergio Leone has been judged severely by writers who find his films lacking in ideas and moralists who find his films unduly cynical. Nevertheless, Leone’s greatest cinematic achievement, Once Upon a Time in the West, served to refute these criticisms while exposing the director’s unique romanticism and artistic ambition. As Leone’s fourth successful American western film, Once Upon a Time in the West earned him acclaim for liberating the western genre, restoring it to a place of antique American simplicity.

The principal goal of this book is to sharpen an appreciation for Sergio Leone and his most famous American western. The first two chapters deal with the relationship between Once Upon a Time in the West and the western films that preceded it, particularly those of John Ford. Subsequent chapters concentrate on the central characters of Once Upon a Time in the West, with special attention to Jill, Leone’s first female protagonist and a surprisingly successful character, central to the plot and accorded a kind of existential strength usually reserved for men in Westerns. The sixth, seventh and eighth chapters address Leone’s visual style, which represents a unique fusion of Hollywood classicism and modernism, and reveals the influences of Italian Surrealism and the French New Wave. The final chapters explore the rhythm, romanticism, and musical character of Once Upon a Time in the West, espousing the theory that Leone’s approach to film is, above all, musical.

About the Author:
John Fawell, a professor of humanities in the College of General Studies at Boston University, has written books on Alfred Hitchcock, Sergio Leone and the studio-era Hollywood film, as well as provided the film commentary for Universal Studio’s Blu-ray release of Hitchcock’s Rear Window. He lives in Quincy, Massachusetts.

Press Reviews:
"critical study"—Wrangler’s Roost; "a scholarly and an engaging book"—Film International; "illuminates…enthusiastic and thoughtful…a treasure"—Cinescape.

See the publisher website: McFarland & Co

See Once Upon a Time in the West (1968) on IMDB ...

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