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Women Film Editors
Unseen Artists of American Cinema
by David Meuel
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Book Presentation:
When the movie business adopted some of the ways of other big industries in 1920s America, women—who had been essential to the industry’s early development—were systematically squeezed out of key behind-the-camera roles. Yet, as female producers and directors virtually disappeared for decades, a number of female film editors remained and rose to the top of their profession, sometimes wielding great power and influence.
Their example inspired a later generation of women to enter the profession at mid-century, several of whom were critical to revolutionizing filmmaking in the 1960s and 1970s with contributions to such classics as Bonnie and Clyde, Jaws and Raging Bull. Focusing on nine of these women and presenting shorter glimpses of nine others, this book tells their captivating personal stories and examines their professional achievements.
About the Author:
The author of multiple books on film history, David Meuel has also published two books of poems, more than two dozen short stories, and hundreds of articles on subjects ranging from U.S. national parks to high technology. He lives in Gig Harbor, Washington.
See the publisher website: McFarland & Co
> From the same author:
Silent Film's Last Hurrah (2023)
The Remarkable Movies of the Long 1928
by David Meuel
Subject: Silent Cinema
> On a related topic:
The Aesthetics of Digital Montage (2024)
Film Editing and Technological Change
On Film Editing (2018)
An Introduction to the Art of Film Construction
Editing and Montage in International Film and Video (2017)
Theory and Technique
Beyond Spatial Montage (2016)
Windowing, or the Cinematic Displacement of Time, Motion, and Space
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