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The Art of the Short Fiction Film

A Shot by Shot Study of Nine Modern Classics

by Richard Raskin

Type
Studies
Subject
On FilmsFilm selections
Keywords
short films, analysis, Roman Polanski, Jim Jarmusch
Publishing date
2002
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 196 pages
8 ½ x 11 inches (21.5 x 28 cm)
ISBN-10
ISBN-13
0-7864-1183-X
978-0-7864-1183-2
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Book Presentation:
This work is the first of its kind to single out individual short fiction films for comprehensive presentation and close study. Two Men and a Wardrobe (Roman Polanski, Poland, 1958, 15 min.), Coffee and Cigarettes (Jim Jarmusch, USA, 1986, 6 min.), Sunday (John Lawlor, Ireland, 1988, 8 min.), Cat’s Cradle (Liz Hughes, Australia, 1991, 12 min.), Eating Out (Pal Sletaune, Norway, 1993, 7 min.), Come (Marianne Olsen Ulrichsen, Norway, 1995, 4.5 min.), Wind (Marcell Ivanyi, Hungary, 1996, 6 min.), Possum (Brad McGann, New Zealand, 1997, 14 min.), and The War Is Over (Nina Mimica, Italy, 1997, 7 min.) are the nine short fiction films studied.

The films represent a broad range of storytelling approaches and a number of very different film cultures. Each film has a chapter of its own, including a shot-by-shot reproduction of the film with a still from every shot. In most cases, an interview with the director and an original screenplay and storyboard is also included. The book also describes a new conceptual model, derived from the films studied in the work, which can be used both for analyzing the ways in which a short fiction film tells its story and as a set of guidelines for student filmmakers writing their own screenplays.

Instructors considering this book for use in a course may request an examination copy here.

About the Author:
Richard Raskin teaches courses in screenwriting and video production at the University of Aarhus in Denmark.

Press Reviews:
"finally a book devoted exclusively to short film"—Das Kurzfilmmagazin; "What a pleasure to see an unjustly ignored form of cinema treated with such care and creative imagination! Blending careful analysis, historical background, and a rich array of archive materials, Richard Raskin reveals in unprecedented detail how short films tell their stories. Raskin’s study should become the definitive work on the subject."—David Bordwell, Jacques Ledoux Professor of Film Studies, University of Wisconsin–Madison.

See the publisher website: McFarland & Co

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