Sounds of the Future
Essays on Music in Science Fiction Film
Edited by Mathew J. Bartkowiak
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Covering titles ranging from Rocketship X-M (1950) to Wall-E (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway’s relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (2001: A Space Odyssey) and Bernard Herrmann (The Day the Earth Stood Still).
About the Author:
Mathew J. Bartkowiak is a former associate professor of English at the University of Wisconsin-Marshfield/Wood County. He received his Ph.D. from the Department of American Studies at Michigan State University.
Press Reviews:
"recommended"—Choice.
See the publisher website: McFarland & Co
> From the same author:
The Music of Counterculture Cinema (2015)
A Critical Study of 1960s and 1970s Soundtracks
by Mathew J. Bartkowiak and Yuya Kiuchi
> On a related topic:
The Music of Space (2024)
Scoring the Cosmos in Film and Television
Music in Star Trek (2022)
Sound, Utopia, and the Future
Dir. Jessica Getman, Brooke McCorkle Okazaki and Evan Ware
Subject: One Film > Star Trek (TV Series)
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Science Fiction against the Margins (2024)
Cinematic Futures, Global Imaginaries
Dir. Chon A. Noriega, Maya Montañez Smukler and Nicole Ucedo
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction