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The New American Crime Film

by Matthew Sorrento

Type
Studies
Subject
GenreFilm Noir
Keywords
crime films, United States, modernism
Publishing date
2012
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 222 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-5920-9
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Book Presentation:
The American crime film has recently enjoyed a surge in popularity and proliferation, making it the most pervasive genre in contemporary cinema. Though it now tackles current issues, it continues to reference the classic narratives and archetypes established in the great crime pictures of past decades. The titles explored in this critical survey feature a variety of themes and show that the crime film genre has fused with other genres to create fascinating hybrids. Focusing on character and plot construction, the author highlights the gangster and film noir traditions that still run strongly through recent American cinema. Among the many filmmakers analyzed within these pages are David Lynch, Gus Van Sant, David Mamet, Werner Herzog, Sam Raimi, David Cronenberg and the Coen Brothers. Stuart Gordon, director of the cult classic Re-Animator, provides the lively and incisive foreword.

About the Author:
Matthew Sorrento teaches film at Rutgers University-Camden in New Jersey. He has served as editor for Identity Theory and Film Threat and is a regular contributor to many other publications.

Press Reviews:
"recommended"—Bookgasm
"with his sharp analysis of some of the most important American films of the past couple of decades, Matthew Sorrento not only forges a new canon but also anchors it in the rich tradition of the gangsters who shot their way through the noir of the 1930s, 40s and 50s, the New Hollywood of the 70s and the neo-noir of the 80s."—David Hudson, MUBI.com

See the publisher website: McFarland & Co

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