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The American Worker on Film
A Critical History, 1909–1999
by Doyle Greene
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Book Presentation:
An examination of the cinematic and cultural discourse surrounding work, the worker, organized labor, and the working class in 20th century America, this book analyzes a number of films within the historical context of labor and politics. Looking at both comedies (Modern Times, Gung Ho, Office Space) and dramas (The Grapes of Wrath, On the Waterfront, F.I.S.T., Blue Collar, Norma Rae, and Matewan), it reveals how these films are not merely products of their times, but also producers of ideological stances concerning the status of capitalism, class struggle, and democracy in America. Common themes among the films include the myth of the noble worker, the shifting status of the American Dream, and the acceptability of reform versus the unacceptability of revolution in affecting economic, political, and social change in America.
About the Author:
Independent scholar Doyle Greene is the author of several books and serves on the editorial board of Film Criticism. He lives in Minneapolis, Minnesota.
See the publisher website: McFarland & Co
> From the same author:
The Mexican Cinema of Darkness (2007)
A Critical Study of Six Landmark Horror and Exploitation Films, 1969–1988
by Doyle Greene
Mexploitation Cinema (2005)
A Critical History of Mexican Vampire, Wrestler, Ape-Man and Similar Films, 1957–1977
by Doyle Greene
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