The Vampire in Science Fiction Film and Literature
by Paul Meehan
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Vampires have been a popular subject for writers since their inception in 19th century Gothic literature and, later, became popular with filmmakers. Now the classical vampire is extinct, and in its place are new vampires who embrace the hi-tech worlds of science fiction. This book is the first to examine the history of vampires in science fiction. The first part considers the role of science and pseudo-science, from late Victorian to modern times, in the creation of the vampire, as well as the “sensation fiction” of J. Sheridan Le Fanu, Bram Stoker, Arthur Conan Doyle and H.G. Wells. The second part focuses on the history of the science fiction vampire in the cinema, from the silent era to the present. More than sixty films are discussed, including films from such acclaimed directors as Roger Corman, David Cronenberg, Guillermo del Toro and Steven Spielberg, among others.
About the Author:
Paul Meehan is the author of several books on science fiction, film noir and horror films, and a contributor to the Noir City Sentinel, the journal of the Film Noir Foundation and to The Palgrave Handbook of the Vampire. He lives in San Francisco.
Press Reviews:
"very interesting, well-written, and well-illustrated…highly recommend"—WFOS-FM
"the first full-scale examination of the history of the vampire in the science fiction genre"—ProtoView
See the publisher website: McFarland & Co
> From the same author:
Alien Abduction in the Cinema (2023)
A History from the 1950s to Today
by Paul Meehan
Subject: Genre > Science Fiction
Tech-Noir (2017)
The Fusion of Science Fiction and Film Noir
by Paul Meehan
Subject: Genre > Science Fiction
The Ghost of One's Self (2017)
Doppelgangers in Mystery, Horror and Science Fiction Films
by Paul Meehan
Subject: Genre > Science Fiction
> On a related topic:
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction
Cyberpunk (2024)
Envisioning Possible Futures Through Cinema
Dir. Doris Berger
Subject: Genre > Science Fiction
The New Routledge Companion to Science Fiction (2024)
Dir. Mark Bould, Andrew Butler and Sherryl Vint
Subject: Genre > Science Fiction
World Gone Wild, Restocked and Reloaded 2nd Edition (2024)
A Survivor's Guide to Post-Apocalyptic Movies
Subject: Genre > Science Fiction