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Genre-Busting Dark Comedies of the 1970s

Twelve American Films

by Wes D. Gehring

Type
Films Reviews
Subject
GenreComedy/Humor
Keywords
comedy, drama, 1970s
Publishing date
2016
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 252 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-7864-9542-9
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Book Presentation:
This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical…about death—hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called “anti-genre.” Altman’s MASH (1970) ridiculed the military establishment in general—the Vietnam War in particular—under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down—the audience roots for the Indians instead of the cavalry.

The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo’s Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy.

About the Author:
Wes D. Gehring is a distinguished professor of film at Ball State University and associate media editor for USA Today magazine, for which he also writes the column “Reel World.” He is the author of 40 film books, including biographies of James Dean, Carole Lombard, Steve McQueen, Robert Wise, Red Skelton and Charlie Chaplin.

Press Reviews:
"Gehring remains supreme in film comedy scholarship"—Choice.

See the publisher website: McFarland & Co

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