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Savages and Saints

The Changing Image of American Indians in Westerns

by Bob Herzberg

Type
Studies
Subject
GenreWestern
Keywords
western, Native Americans, representation
Publishing date
2008
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 318 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-7864-3446-6
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Book Presentation:
The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture.

Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film’s production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points.

Book Presentation:
The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture.

Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film’s production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points.

About the Author:
Writer, actor and comedian Bob Herzberg is the author of scholarly books and Western novels. He lives in Brooklyn, New York.

See the publisher website: McFarland & Co

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