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The Elusive Auteur
The Question of Film Authorship Throughout the Age of Cinema
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Book Presentation:
The director’s authorial role in filmmaking—the extent to which a film reflects his or her individual style and creative vision—has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation “auteur” has gone from stylistic criterion to product label—in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.
About the Author:
Barrett Hodsdon has spent many years teaching, writing about and researching the film industry. In the 1970s he pioneered a film studies collection for the National Library of Australia. He has written a number of film journal articles covering aesthetics, genres, and documentary and domestic film culture issues. He lives in North Sydney, Australia.
Press Reviews:
"one of the most rewarding books I’ve read this year…a labor of love…work of astute and careful scholarship"—Film International.
See the publisher website: McFarland & Co
> On a related topic:
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The Paratextual Lives of Asian Auteurs
Subject: Economics
Authorship as Promotional Discourse in the Screen Industries (2022)
Selling Genius
by Leora Hadas
Subject: Economics
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