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Global Horror Cinema Today
28 Representative Films from 17 Countries
by Jon Towlson
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Book Presentation:
The horror film is thriving worldwide. Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years. It closely examines 28 international films, including It Follows (2014), Grave (Raw, 2016), Busanhaeng (Train to Busan, 2016), and Get Out (2016), with discussions of dozens more. Each chapter focuses on a different country, analyzing what frightens the people of these various nations and the ways in which horror crosses over to international audiences.
About the Author:
Jon Towlson is a UK-based journalist and film critic. He has written for British Film Institute, Senses of Cinema, Digital Filmmaker Magazine, Starburst, Scream, The Dark Side, Starburst Magazine, Paracinema, Exquisite Terror, Irish Journal of Gothic and Horror Studies, Shadowland Magazine and Bright Lights Film Journal.
Press Reviews:
"A thoroughly researched international overview of the horror genre. Each chapter chronicles the history of horror in a different country, examines contemporary productions, and explores two recent films for a deeper look at common national themes….fascinating introduction for readers looking to learn more about horror films outside of the United States….thoughtful analysis…solid"—Library Journal.
See the publisher website: McFarland & Co
> From the same author:
Close Encounters of the Third Kind (2016)
by Jon Towlson
Subject: One Film > Close Encounters of the Third Kind
Subversive Horror Cinema (2014)
Countercultural Messages of Films from Frankenstein to the Present
by Jon Towlson
> On a related topic:
The Ethics of Horror (2024)
Spectral Alterity in Twenty-First-Century Horror Film
Willful Monstrosity (2020)
Gender and Race in 21st Century Horror
New Blood in Contemporary Cinema (2020)
Women Directors and the Poetics of Horror
Post-9/11 Heartland Horror (2020)
Rural horror films in an era of urban terrorism
Hardcore Horror Cinema in the 21st Century (2018)
Production, Marketing and Consumption
by James Aston
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