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D.W. Griffith's The Birth of a Nation
A History of 'The Most Controversial Motion Picture of All Time'
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Book Presentation:
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
About the Author:
Melvyn Stokes teaches American history and American film history at University College London. He has also been a visiting fellow at Princeton, a visiting Fulbright Professor at Mount Holyoke College and a visiting professor at the Ecole des Hautes Etudes in Paris. He has edited or co-edited nine books, including four for the British Film Institute.
Press Reviews:
"Written with precision, Stokes illuminates both the film's racism and the aesthetic brilliance of Griffith's filmmaking. By placing the film into an historic, political, and cultural framework, this tome shoud attarct film scholars, historians, and cinema enthusiasts."--The Courier
"Stokes succeeds wonderfully in providing readers with an engaging, insightful and comprehensive account of how D.W. Griffith created his epic film, which astonished and outraged moviegoers in 1915 and has done so ever since. While Stokes examines the film closely, the breadth of his account extends to the social and cultural currents that Griffith rode in making it, and analysis of how the film's meanings have changed over time. This is the go-to volume on a film whose cinematic and ideological legacy informs and haunts American film to this day."--Matthew Bernstein, Emory University
"The Birth of a Nation is well noted for its contribution to the early aesthetics and narrative form of U.S. commercial cinema. Simultaneously, however, the film is considerably more notorious for its iconic and vile racism, and the many conflicts it stirred. Now, in a clearly argued, thoroughly researched book, Melvyn Stokes has managed to capture the people, politics and controversies surrounding the film's production and exhibition. Stokes portrays the film's writer, director and stars, as well as its eminent critics and protestors, with engaging biographic detail. And more, the author deftly inscribes Birth's twisted path through public discourse. Finally, we have a first rate book that places "the most controversial motion picture ever made" in an in-depth, historic, political and cultural context, to be enjoyed by film scholar, historian and cinema aficionado alike."--Ed Guerrero, New York University
"Melvyn Stokes excellent new study of D.W. Griffith's abidingly controversial 1915 film Birth of a Nation situates insightful readings of the film in a brilliantly conceived and densely researched historical context."--The Southern Quarterly
"The depth and reach of Stokes's research reveals some true historical gems, disturbing and clear windows onto the history of racism, representation, popular culture, and social change in the twentieth-century United States." --Journal of Social History
See the publisher website: Oxford University Press
See The Birth of a Nation (1915) on IMDB ...
> From the same author:
Cinema Memories (2023)
A People's History of Cinema-going in 1960s Britain
by Melvyn Stokes, Matthew Jones and Emma Pett
Subject: Countries > Great Britain
Cinéma et histoire (2007)
Cinema and history
Dir. Melvyn Stokes and Gilles Menegaldo
(in French and English)
Subject: Genre > Historical films
> On a related topic:
D.W. Griffith and the Origins of American Narrative Film (1993)
The Early Years at Biograph
by Tom Gunning
Subject: Director > David W. Griffith
Cinema's Original Sin (2022)
D. W. Griffith, American Racism, and the Rise of Film Culture
by Paul McEwan
Subject: One Film > The Birth of a Nation
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