The Incomparable Hildegarde
The Sexuality, Style and Image of an Entertainment Icon
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
The Incomparable Hildegarde (1906–2005) began her career as a pianist in Milwaukee’s silent movie theaters, which led to the Vaudeville stage. By the 1930s, she was singing in the cabarets of Paris and London, rubbing elbows with royalty, White Russians and Josephine Baker. She then became a darling of the New York supper club scene and her name became synonymous with high-class entertainment at venues like the Plaza Hotel’s Persian Room. She started fashion trends, had her own signature Revlon nail and lip color, and was the first to have song hits in the World War II era.
This first biography of Hildegarde Sill covers her 70-year career, including her intimate relationship with her manager, Anna Sosenko, and emphasizes her importance in 20th-century American popular culture.
About the Author:
Monica Storme Gallamore is a history professor at Collin College-Preston Ridge in Frisco, Texas.
See the publisher website: McFarland & Co
See the complete filmography of Hildegarde on the website: IMDB ...
> On a related topic:
Korngold in America (2025)
Music, Myth, and Hollywood
by Ben Winters
Subject: Others persons > Erich Wolfgang Korngold
The Screen Music of Trevor Jones (2021)
Technology, Process, Production
by David Cooper, Ian Sapiro and Laura Anderson
Subject: Others persons > Trevor Jones
The Film Music of John Williams (2021)
Reviving Hollywood's Classical Style
Subject: Others persons > John Williams
John Williams's Film Music (2014)
Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
Subject: Others persons > John Williams
John Barry (2008)
The Man with the Midas Touch
by Geoff Leonard, Pete Walker and Gareth Bramley
Subject: Others persons > John Barry