Books in French are on www.livres-cinema.info
MENU   

Slow Writing

Thom Andersen on Cinema

by Thom Andersen and Mark Webber

Type
Filmmakers' writings
Subject
DirectorThom Andersen
Keywords
Thom Andersen
Publishing date
2017
Publisher
The Visible Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 304 pages
5 ¾ x 8 ¼ inches (14.5 x 21 cm)
ISBN
978-0-9928377-2-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
SLOW WRITING is a collection of articles by Thom Andersen that reflect on the avant-garde, Hollywood feature films, and contemporary cinema. His critiques of artists and filmmakers as diverse as Yasujirō Ozu, Nicholas Ray, Andy Warhol, and Christian Marclay locate their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape. The city of Los Angeles and its relationship to film is a recurrent theme. These writings, which span a period of five decades, demonstrate Andersen’s social consciousness, humour and his genuine appreciation of cinema in its many forms.

Thom Andersen’s films include the celebrated documentary essays "Eadweard Muybridge, Zoopraxographer" (1975), "Los Angeles Plays Itself" (2003), and "The Thoughts That Once We Had" (2015). Together with Noël Burch, he produced primary studies of the Hollywood Blacklist in the form of the book "Les communistes de Autre chose que des martyrs" (1994) and film "Red Hollywood" (1996). “There are few writers and few filmmakers who make me rethink what cinema is more than Thom Andersen. Sometimes this is a matter of introducing fresh perspectives, such as making cinema and architecture more mutually interactive. It’s always a political matter of figuring out just who and where we are, and why.” (Jonathan Rosenbaum) “In his disarmingly plainspoken introduction, Thom Andersen more or less apologizes for not becoming a film critic, and for not delivering a manifesto. SLOW WRITING show us just how terrific a critic he hasn’t (mostly) bothered to be. This book belongs on a very small and special shelf of the most incisive and ungrandiose books by artists.” (Jonathan Lethem)

About the authors:
About the Author: Thom Andersen has lived in Los Angeles for most of his life. His knowledge of and enthusiasm for the city has deeply informed his work, not least his widely praised study of its representation in movies, Los Angeles Plays Itself (2003), which was voted one of the 50 Best Documentaries of All Time in a Sight & Sound critics’ poll. Andersen made his first short films and entered into the city’s film scene as a student of USC and UCLA in the 1960s. His hour-long documentary Eadweard Muybridge, Zoopraxographer (1974) was realised under an AFI scholarship and has lately been restored by the UCLA Film and Television Archive. His research into the victims of the Hollywood Blacklist, done in collaboration with film theorist Noël Burch, produced the video essay Red Hollywood (1996) and book Les Communistes de Hollywood: Autre chose que des martyrs (1994). Andersen’s recent films include Reconversão (2012) on the work of Portuguese architect Eduardo Souto de Moura, and The Thoughts That Once We Had (2015), a personal history of cinema loosely inspired by Gilles Deleuze. A published writer since 1966, Andersen has contributed to journals such as Film Comment, Artforum, Sight & Sound and Cinema Scope. He has taught at the California Institute of the Arts since 1987, and was previously on faculty at SUNY Buffalo and Ohio State University. Also distinguished for his skills as a film curator, he has acted as programmer for Los Angeles Filmforum and curated thematic retrospectives for the Viennale. Slow Writing: Thom Andersen on Cinema is the first collection of his essays.

About the Editor: Mark Webber is a film curator based in London, who has been responsible for major screening events or touring programmes hosted by institutions such as Tate Modern, LUX and ICA (London), Whitney Museum (New York), Centre Georges Pompidou (Paris), Oberhausen Kurzfilmtage, IFFR Rotterdam and international festivals, museums and art centres. He was a programmer for the BFI London Film Festival from 2000-12, and is also the editor of Two Films by Owen Land, Film as Film: The Collected Writings of Gregory J. Markopoulos, Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76 and co-editor of Flare Out: Aesthetics 1966–2016.

See the publisher website: The Visible Press

See the complete filmography of Thom Andersen on the website: IMDB ...

> From the same authors:

Shoot Shoot Shoot:The First Decade of the London Film-Makers' Co-Operative 1966-76

Shoot Shoot Shoot (2016)

The First Decade of the London Film-Makers' Co-Operative 1966-76

Dir. Mark Webber

Subject: Genre > Experimental

Film as Film:The Collected Writings of Gregory J. Markopoulos

Film as Film (2014)

The Collected Writings of Gregory J. Markopoulos

Dir. Gregory J. Markopoulos, Mark Webber and P. Adams Sitney

Subject: Director > Gregory J. Markopoulos

> On a related topic:

11749 books listed   •   (c)2024-2025 cinemabooks.info   •