Books in French are on www.livres-cinema.info
Political Animals
The New Feminist Cinema
by Sophie Mayer
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment.
Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.
About the Author:
Sophie Mayer is a writer, editor, activist and educator. She works with English PEN and is a film journalist for Sight & Sound and The F-Word. She is an affiliate lecturer in Screen Media and Cultures at the University of Cambridge, and was the first Poet in Residence at the Archive of the Now, Queen Mary University of London. Her previous books include The Cinema of Sally Potter: A Politics of Love (2009), There She Goes: Feminist Filmmaking and Beyond (co-edited with Corinn Columpar, 2010), Lo personal es politico: Feminismo y documental (co-edited with Elena Oroz, Punto de, 2011) and Catechism: Poems for Pussy Riot (co-edited with Mark Burnhope and Sarah Crewe, 2012). She runs a feminist cinema Tumblr @PoliticalAnimals.
See the publisher website: I.B.Tauris
> From the same author:
> On a related topic:
Wandering Women (2022)
Urban Ecologies of Italian Feminist Filmmaking
Liberating Hollywood (2018)
Women Directors and the Feminist Reform of 1970s American Cinema
Subject: Countries > United States
Sustainable Resilience in Women's Film and Video Organizations (2024)
A Counter-Lineage in Moving Image History
Subject: Sociology
Independent Women (2023)
From Film to Television
Dir. Claire Perkins and Michele Schreiber
Subject: Sociology
The Avenging-Woman On-Screen (2023)
Female Empowerment and Feminist Possibilities
by Lara C. Stache and Rachel D. Davidson
Subject: Sociology
There She Goes Again (2023)
Gender, Power, and Knowledge in Contemporary Film and Television Franchises
Subject: Sociology
Back
