Les livres en français sont sur www.livres-cinema.info
Experimental and Expanded Animation
New Perspectives and Practices
Sous la direction de Vicky Smith et Nicky Hamlyn
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr's Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live 'making' and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.
À propos des auteurs :
Vicky Smith is a lecturer at the University for the Creative Arts, UK. Her experimental animation practice of 30 years has screened internationally in cinemas, galleries and on C4TV. She has published in Animation: an Interdisciplinary Journal and Sequence. Nicky Hamlyn is Professor of Experimental Film at the University for the Creative Arts and a lecturer at the Royal College of Art, UK. He is the author of Film Art Phenomena (2003) and co-editor of and contributor to Kurt Kren: Structural Films (2016). His film and video work is available on three DVD compilations from LUX, RGB and Film Gallery, Paris.
Sommaire:
Introduction - Smith, Vicky (et al.)
Lines and Interruptions in Experimental Film and Video - Payne, Simo
Performing the Margins of the New - Bruyn, Dirk
Twenty-First Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner - Dicker, Barnaby
Experimental Time-Lapse Animation and the Manifestation of Change and Agency in Objects - Smith, Vicky
Analogon: Of a World Already Animated - Cubitt, Sean
Emptiness Is Not ‘Nothing’: Space and Experimental 3D CGI Animation - Jukes, Alex
Inanimation: The Film Loop Performances of Bruce McClure - Hamlyn, Nicky
Re-splitting, De-synchronizing, Re-animating: (E)motion, Neo-spectacle and Innocence in the Film Works of John Stezaker - Wells, Paul
Cut to Cute: Fact, Form, and Feeling in Digital Animation - Gosse, Johanna
The Animated Female Body, Feminism(s) and ‘Mushi’ - Buchan, Suzanne
“Coming to Life” and Intermediality in the Tableaux Vivants in Magic Mirror (Pucill, 2013) and Confessions to the Mirror (Pucill, 2016) - Pucill, Sarah
Siting Animation: The Affect of Place - Hosea, Birgitta
Voir le site internet de l'éditeur Palgrave MacMillan
> Des mêmes auteurs :
> Sur un thème proche :
Experimental Animation (2019)
From Analogue to Digital
Dir. Miriam Harris, Lilly Husbands et Paul Taberham
Sujet : Genre > Experimental
Expanding Cinemas (2024)
Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960
Sujet : Genre > Experimental
Lost Highways, Embodied Travels (2023)
The Road Movie in American Experimental Film and Video
Sujet : Genre > Experimental
Performative Images (2023)
A Philosophy of Video Art Technology in France
de Anaïs Nony
Sujet : Genre > Experimental
Retour
