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On a related topic:
The Wind Is Never Gone (2011)
Sequels, Parodies and Rewritings of Gone with the Wind
Subject: One Film > Gone with the Wind
Scarlett's Women (1989)
Gone With the Wind and Its Female Fans
by Helen Taylor
Subject: One Film > Gone with the Wind
Recasting Gone with the Wind in American Culture (1983)
Dir. Darden A. Pyron
Subject: One Film > Gone with the Wind
The Characters of Oz (2023)
Essays on Their Adaptation and Transformation
Dir. Dina Schiff Massachi
Subject: One Film > The Wizard of Oz
The Scene-by-Scene Casablanca Film Guidebook (2020)
A Detailed Look at the Hollywood Film Classic
Subject: One Film > Casablanca
We'll Always Have Casablanca (2020)
The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie
Subject: One Film > Casablanca
Frankly, My Dear
Gone with the Wind Revisited
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Book Presentation:
An exploration of the book, the movie, and the author of one of the most captivating stories ever told
How and why has the saga of Scarlett O’Hara kept such a tenacious hold on our national imagination for almost three-quarters of a century? In the first book ever to deal simultaneously with Margaret Mitchell’s beloved novel and David Selznick’s spectacular film version of Gone with the Wind, film critic Molly Haskell seeks the answers. By all industry predictions, the film should never have worked. What makes it work so amazingly well are the fascinating and uncompromising personalities that Haskell dissects here: Margaret Mitchell, David Selznick, and Vivien Leigh. As a feminist and onetime Southern adolescent, Haskell understands how the story takes on different shades of meaning according to the age and eye of the beholder. She explores how it has kept its edge because of Margaret Mitchell’s (and our) ambivalence about Scarlett and because of the complex racial and sexual attitudes embedded in a story that at one time or another has offended almost everyone.
Haskell imaginatively weaves together disparate strands, conducting her story as her own inner debate between enchantment and disenchantment. Sensitive to the ways in which history and cinema intersect, she reminds us why these characters, so riveting to Depression audiences, continue to fascinate 70 years later.
About the Author:
Molly Haskell is a writer and film critic. She has lectured widely on the role of women in film and is the author of From Reverence to Rape: The Treatment of Women in the Movies. She lives in New York City.
See the publisher website: Yale University Press
See Gone with the Wind (1939) on IMDB ...
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