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Artists' Moving Image in Britain Since 1989

Edited by Erika Balsom, Lucy Reynolds and Sarah Perks

Type
Studies
Subject
GenreExperimental
Keywords
arts, Great Britain
Publishing date
2019
Publisher
Yale University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 544 pages
6 ¼ x 9 inches (16 x 23 cm)
ISBN
978-1-913107-01-7
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Book Presentation:
An in-depth study of the expanding role of the moving image in British art over the past thirty years

Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation’s most vital areas of artistic practice. How did we get here? Artists’ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives—disparate, entwined, and often colorful—that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments.

Distributed for the Paul Mellon Center for Studies in British Art

About the authors:
Erika Balsom is senior lecturer in film studies at King’s College London. Lucy Reynolds is senior lecturer in the School of Arts at the University of Westminster. Sarah Perks is professor at Manchester School of Art at Manchester Metropolitan University.

See the publisher website: Yale University Press

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