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Doing Philosophy at the Movies

by Richard Gilmore

Type
Essays
Subject
Film Analysis
Keywords
philosophy, Alfred Hitchcock, Coen Brothers, John Ford, Woody Allen, Danny Boyle
Publishing date
2005
Publisher
State University of New York Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 195 pages
6 x 9 inches (15.5 x 23 cm)
ISBN-10
ISBN-13
0-7914-6392-3
978-0-7914-6392-5
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Book Presentation:
Explores philosophical ideas through an examination of popular film.

Doing Philosophy at the Movies finds the roots of profound philosophical ideas in the relatively ordinary context of popular, mostly Hollywood, movies. Richard A. Gilmore suggests that narratives of popular films like Hitchcock's Vertigo, John Ford's The Searchers, Woody Allen's Crimes and Misdemeanors, the Coen Brothers' Fargo, and Danny Boyle's Trainspotting mirror certain epiphanies in the works of great philosophers. Via Plato, Aristotle, Kant, Nietzsche, Wittgenstein, and Zðizûek, Gilmore addresses such themes as the nature of philosophy, the possibility of redemption through love, catharsis, the sublime, and the human problem of death. Gilmore argues that seeing these movies through the lens of certain philosophical ideas can show how deeply relevant both philosophy and the movies can be.

About the Author:
Richard A. Gilmore is Associate Professor of Philosophy at Concordia College and the author of Philosophical Health: Wittgenstein's Method in "Philosophical Investigations."

See the publisher website: State University of New York Press

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